Complete Project Gutenberg John Galsworthy WorksGalsworthy, John
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Complete Project Gutenberg John Galsworthy Works
Galsworthy, John
English literature -- 20th century; Literature -- Collections
Soames got into his cab, and, with the glass down, crept along Sloane
Street, and so along the Brompton Road, and home. He reached his house
at five.
His wife was not in. She had gone out a quarter of an hour before. Out
at such a time of night, into this terrible fog! What was the meaning of
that?
He sat by the dining-room fire, with the door open, disturbed to the
soul, trying to read the evening paper. A book was no good--in daily
papers alone was any narcotic to such worry as his. From the customary
events recorded in the journal he drew some comfort. 'Suicide of an
actress'--'Grave indisposition of a Statesman' (that chronic
sufferer)--'Divorce of an army officer'--'Fire in a colliery'--he read
them all. They helped him a little--prescribed by the greatest of all
doctors, our natural taste.
It was nearly seven when he heard her come in.
The incident of the night before had long lost its importance under
stress of anxiety at her strange sortie into the fog. But now that Irene
was home, the memory of her broken-hearted sobbing came back to him, and
he felt nervous at the thought of facing her.
She was already on the stairs; her grey fur coat hung to her knees, its
high collar almost hid her face, she wore a thick veil.
She neither turned to look at him nor spoke. No ghost or stranger could
have passed more silently.
Bilson came to lay dinner, and told him that Mrs. Forsyte was not coming
down; she was having the soup in her room.
For once Soames did not 'change'; it was, perhaps, the first time in his
life that he had sat down to dinner with soiled cuffs, and, not even
noticing them, he brooded long over his wine. He sent Bilson to light a
fire in his picture-room, and presently went up there himself.
Turning on the gas, he heaved a deep sigh, as though amongst these
treasures, the backs of which confronted him in stacks, around the little
room, he had found at length his peace of mind. He went straight up to
the greatest treasure of them all, an undoubted Turner, and, carrying it
to the easel, turned its face to the light. There had been a movement in
Turners, but he had not been able to make up his mind to part with it.
He stood for a long time, his pale, clean-shaven face poked forward above
his stand-up collar, looking at the picture as though he were adding it
up; a wistful expression came into his eyes; he found, perhaps, that it
came to too little. He took it down from the easel to put it back
against the wall; but, in crossing the room, stopped, for he seemed to
hear sobbing.
It was nothing--only the sort of thing that had been bothering him in the
morning. And soon after, putting the high guard before the blazing fire,
he stole downstairs.
Fresh for the morrow! was his thought. It was long before he went to
sleep....
It is now to George Forsyte that the mind must turn for light on the
events of that fog-engulfed afternoon.
Public-domain text, read in full here on John Shaqi.
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