Complete Project Gutenberg John Galsworthy WorksGalsworthy, John
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Complete Project Gutenberg John Galsworthy Works
Galsworthy, John
English literature -- 20th century; Literature -- Collections
In the bare, white-walled room, empty of all but a streak of sunshine
smeared along the dustless floor, lay a form covered by a sheet. With a
huge steady hand the Inspector took the hem and turned it back. A
sightless face gazed up at them, and on either side of that sightless
defiant face the three Forsytes gazed down; in each one of them the
secret emotions, fears, and pity of his own nature rose and fell like the
rising, falling waves of life, whose wish those white walls barred out
now for ever from Bosinney. And in each one of them the trend of his
nature, the odd essential spring, which moved him in fashions minutely,
unalterably different from those of every other human being, forced him
to a different attitude of thought. Far from the others, yet inscrutably
close, each stood thus, alone with death, silent, his eyes lowered.
The Inspector asked softly:
"You identify the gentleman, sir?"
Old Jolyon raised his head and nodded. He looked at his brother
opposite, at that long lean figure brooding over the dead man, with face
dusky red, and strained grey eyes; and at the figure of Soames white and
still by his father's side. And all that he had felt against those two
was gone like smoke in the long white presence of Death. Whence comes
it, how comes it--Death? Sudden reverse of all that goes before; blind
setting forth on a path that leads to where? Dark quenching of the fire!
The heavy, brutal crushing--out that all men must go through, keeping
their eyes clear and brave unto the end! Small and of no import, insects
though they are! And across old Jolyon's face there flitted a gleam, for
Soames, murmuring to the Inspector, crept noiselessly away.
Then suddenly James raised his eyes. There was a queer appeal in that
suspicious troubled look: "I know I'm no match for you," it seemed to
say. And, hunting for handkerchief he wiped his brow; then, bending
sorrowful and lank over the dead man, he too turned and hurried out.
Old Jolyon stood, still as death, his eyes fixed on the body. Who shall
tell of what he was thinking? Of himself, when his hair was brown like
the hair of that young fellow dead before him? Of himself, with his
battle just beginning, the long, long battle he had loved; the battle
that was over for this young man almost before it had begun? Of his
grand-daughter, with her broken hopes? Of that other woman? Of the
strangeness, and the pity of it? And the irony, inscrutable, and bitter
of that end? Justice! There was no justice for men, for they were ever
in the dark!
Or perhaps in his philosophy he thought: Better to be out of, it all!
Better to have done with it, like this poor youth....
Some one touched him on the arm.
A tear started up and wetted his eyelash. "Well," he said, "I'm no good
here. I'd better be going. You'll come to me as soon as you can, Jo,"
and with his head bowed he went away.
Public-domain text, read in full here on John Shaqi.
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