Complete Project Gutenberg John Galsworthy WorksGalsworthy, John
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Complete Project Gutenberg John Galsworthy Works
Galsworthy, John
English literature -- 20th century; Literature -- Collections
ached a little from sheer love of it all, feeling perhaps, deep down,
that he had not very much longer to enjoy it. The thought that some
day--perhaps not ten years hence, perhaps not five--all this world would
be taken away from him, before he had exhausted his powers of loving it,
seemed to him in the nature of an injustice brooding over his horizon.
If anything came after this life, it wouldn't be what he wanted; not
Robin Hill, and flowers and birds and pretty faces--too few, even now, of
those about him! With the years his dislike of humbug had increased; the
orthodoxy he had worn in the 'sixties, as he had worn side-whiskers out
of sheer exuberance, had long dropped off, leaving him reverent before
three things alone--beauty, upright conduct, and the sense of property;
and the greatest of these now was beauty. He had always had wide
interests, and, indeed could still read The Times, but he was liable at
any moment to put it down if he heard a blackbird sing. Upright conduct,
property--somehow, they were tiring; the blackbirds and the sunsets
never tired him, only gave him an uneasy feeling that he could not get
enough of them. Staring into the stilly radiance of the early evening
and at the little gold and white flowers on the lawn, a thought came to
him: This weather was like the music of 'Orfeo,' which he had recently
heard at Covent Garden. A beautiful opera, not like Meyerbeer, nor even
quite Mozart, but, in its way, perhaps even more lovely; something
classical and of the Golden Age about it, chaste and mellow, and the
Ravogli 'almost worthy of the old days'--highest praise he could bestow.
The yearning of Orpheus for the beauty he was losing, for his love going
down to Hades, as in life love and beauty did go--the yearning which sang
and throbbed through the golden music, stirred also in the lingering
beauty of the world that evening. And with the tip of his cork-soled,
elastic-sided boot he involuntarily stirred the ribs of the dog
Balthasar, causing the animal to wake and attack his fleas; for though he
was supposed to have none, nothing could persuade him of the fact. When
he had finished he rubbed the place he had been scratching against his
master's calf, and settled down again with his chin over the instep of
the disturbing boot. And into old Jolyon's mind came a sudden
recollection--a face he had seen at that opera three weeks ago--Irene,
the wife of his precious nephew Soames, that man of property! Though he
had not met her since the day of the 'At Home' in his old house at
Stanhope Gate, which celebrated his granddaughter June's ill-starred
engagement to young Bosinney, he had remembered her at once, for he had
always admired her--a very pretty creature. After the death of young
Bosinney, whose mistress she had so reprehensibly become, he had heard
that she had left Soames at once. Goodness only knew what she had been
doing since. That sight of her face--a side view--in the row in front,
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