Complete Project Gutenberg John Galsworthy WorksGalsworthy, John
General
Complete Project Gutenberg John Galsworthy Works
Galsworthy, John
English literature -- 20th century; Literature -- Collections
By the cigars they smoke, and the composers they love, ye shall know the
texture of men's souls. Old Jolyon could not bear a strong cigar or
Wagner's music. He loved Beethoven and Mozart, Handel and Gluck, and
Schumann, and, for some occult reason, the operas of Meyerbeer; but of
late years he had been seduced by Chopin, just as in painting he had
succumbed to Botticelli. In yielding to these tastes he had been
conscious of divergence from the standard of the Golden Age. Their
poetry was not that of Milton and Byron and Tennyson; of Raphael and
Titian; Mozart and Beethoven. It was, as it were, behind a veil; their
poetry hit no one in the face, but slipped its fingers under the ribs and
turned and twisted, and melted up the heart. And, never certain that
this was healthy, he did not care a rap so long as he could see the
pictures of the one or hear the music of the other.
Irene sat down at the piano under the electric lamp festooned with
pearl-grey, and old Jolyon, in an armchair, whence he could see her,
crossed his legs and drew slowly at his cigar. She sat a few moments
with her hands on the keys, evidently searching her mind for what to give
him. Then she began and within old Jolyon there arose a sorrowful
pleasure, not quite like anything else in the world. He fell slowly into
a trance, interrupted only by the movements of taking the cigar out of
his mouth at long intervals, and replacing it. She was there, and the
hock within him, and the scent of tobacco; but there, too, was a world of
sunshine lingering into moonlight, and pools with storks upon them, and
bluish trees above, glowing with blurs of wine-red roses, and fields of
lavender where milk-white cows were grazing, and a woman all shadowy,
with dark eyes and a white neck, smiled, holding out her arms; and
through air which was like music a star dropped and was caught on a cow's
horn. He opened his eyes. Beautiful piece; she played well--the touch
of an angel! And he closed them again. He felt miraculously sad and
happy, as one does, standing under a lime-tree in full honey flower. Not
live one's own life again, but just stand there and bask in the smile of
a woman's eyes, and enjoy the bouquet! And he jerked his hand; the dog
Balthasar had reached up and licked it.
"Beautiful!" He said: "Go on--more Chopin!"
She began to play again. This time the resemblance between her and
'Chopin' struck him. The swaying he had noticed in her walk was in her
playing too, and the Nocturne she had chosen and the soft darkness of her
eyes, the light on her hair, as of moonlight from a golden moon.
Seductive, yes; but nothing of Delilah in her or in that music. A long
blue spiral from his cigar ascended and dispersed. 'So we go out!' he
thought. 'No more beauty! Nothing?'
Again Irene stopped.
"Would you like some Gluck? He used to write his music in a sunlit
garden, with a bottle of Rhine wine beside him."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account