Complete Project Gutenberg John Galsworthy WorksGalsworthy, John
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Complete Project Gutenberg John Galsworthy Works
Galsworthy, John
English literature -- 20th century; Literature -- Collections
He found his 'tutor,' not indeed at the Oxford and Cambridge, but at the
Goat's Club. This 'tutor' was a year older than himself, a good-looking
youth, with fine brown eyes, and smooth dark hair, a small mouth, an oval
face, languid, immaculate, cool to a degree, one of those young men who
without effort establish moral ascendancy over their companions. He had
missed being expelled from school a year before Val, had spent that year
at Oxford, and Val could almost see a halo round his head. His name was
Crum, and no one could get through money quicker. It seemed to be his
only aim in life--dazzling to young Val, in whom, however, the Forsyte
would stand apart, now and then, wondering where the value for that money
was.
They dined quietly, in style and taste; left the Club smoking cigars,
with just two bottles inside them, and dropped into stalls at the
Liberty. For Val the sound of comic songs, the sight of lovely legs were
fogged and interrupted by haunting fears that he would never equal Crum's
quiet dandyism. His idealism was roused; and when that is so, one is
never quite at ease. Surely he had too wide a mouth, not the best cut of
waistcoat, no braid on his trousers, and his lavender gloves had no thin
black stitchings down the back. Besides, he laughed too much--Crum never
laughed, he only smiled, with his regular dark brows raised a little so
that they formed a gable over his just drooped lids. No! he would never
be Crum's equal. All the same it was a jolly good show, and Cynthia Dark
simply ripping. Between the acts Crum regaled him with particulars of
Cynthia's private life, and the awful knowledge became Val's that, if he
liked, Crum could go behind. He simply longed to say: "I say, take me!"
but dared not, because of his deficiencies; and this made the last act or
two almost miserable. On coming out Crum said: "It's half an hour before
they close; let's go on to the Pandemonium." They took a hansom to
travel the hundred yards, and seats costing seven-and-six apiece because
they were going to stand, and walked into the Promenade. It was in these
little things, this utter negligence of money that Crum had such engaging
polish. The ballet was on its last legs and night, and the traffic of
the Promenade was suffering for the moment. Men and women were crowded
in three rows against the barrier. The whirl and dazzle on the stage,
the half dark, the mingled tobacco fumes and women's scent, all that
curious lure to promiscuity which belongs to Promenades, began to free
young Val from his idealism. He looked admiringly in a young woman's
face, saw she was not young, and quickly looked away. Shades of Cynthia
Dark! The young woman's arm touched his unconsciously; there was a scent
of musk and mignonette. Val looked round the corner of his lashes.
Perhaps she was young, after all. Her foot trod on his; she begged his
pardon. He said:
"Not at all; jolly good ballet, isn't it?"
"Oh, I'm tired of it; aren't you?"
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