Complete Project Gutenberg Oliver Wendell Holmes, Sr. WorksHolmes, Oliver Wendell
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Complete Project Gutenberg Oliver Wendell Holmes, Sr. Works
Holmes, Oliver Wendell
American literature; Literature -- Collections
I was afraid of ships. Why, I could never tell. The masts looked
frightfully tall,--but they were not so tall as the steeple of our
old yellow meeting-house. At any rate I used to hide my eyes from
the sloops and schooners that were wont to lie at the end of the
bridge, and I confess that traces of this undefined terror lasted
very long.--One other source of alarm had a still more fearful
significance. There was a great wooden HAND,--a glove-maker's
sign, which used to swing and creak in the blast, as it hung from a
pillar before a certain shop a mile or two outside of the city.
Oh, the dreadful hand! Always hanging there ready to catch up a
little boy, who would come home to supper no more, nor yet to bed,
--whose porringer would be laid away empty thenceforth, and his
half-worn shoes wait until his small brother grew to fit them.
As for all manner of superstitious observances, I used once to
think I must have been peculiar in having such a list of them, but
I now believe that half the children of the same age go through the
same experiences. No Roman soothsayer ever had such a catalogue of
OMENS as I found in the Sibylline leaves of my childhood. That
trick of throwing a stone at a tree and attaching some mighty issue
to hitting or missing, which you will find mentioned in one or more
biographies, I well remember. Stepping on or over certain
particular things or spots--Dr. Johnson's especial weakness I got
the habit of at a very early age.--I won't swear that I have not
some tendency to these not wise practices even at this present
date. [How many of you that read these notes can say the same
thing!]
With these follies mingled sweet delusions, which I loved so well I
would not outgrow them, even when it required a voluntary effort to
put a momentary trust in them. Here is one which I cannot help
telling you.
Public-domain text, read in full here on John Shaqi.
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