"The operator took a handful of BUDDING LILAC-LEAVES, and crushing them slightly between his hoofs, so as to bring out their peculiar fragrance, fastened them to the end of a long pole and held them towards the creature. Its expression changed in an instant,--it drew in their fragrance eagerly, and attempted to seize them with its soft split hoofs. Having thus quieted his suspicious subject, the operator proceeded to tie a BLUE HYACINTH to the end of the pole and held it out towards the wild animal. The effect was magical. Its eyes filled as if with raindrops, and its lips trembled as it pressed them to the flower. After this it was perfectly quiet, and brought a measure of corn to the man-tamer, without showing the least disposition to strike with the feet or hit from the shoulder." That will do for the Houyhnhnm Gazette.--Do you ever wonder why poets talk so much about flowers? Did you ever hear of a poet who did not talk about them? Don't you think a poem, which, for the sake of being original, should leave them out, would be like those verses where the letter A or E or some other is omitted? No,--they will bloom over and over again in poems as in the summer fields, to the end of time, always old and always new. Why should we be more shy of repeating ourselves than the spring be tired of blossoms or the night of stars? Look at Nature. She never wearies of saying over her floral pater-noster. In the crevices of Cyclopean walls, --in the dust where men lie, dust also,--on the mounds that bury huge cities, the wreck of Nineveh and the Babel-heap,--still that same sweet prayer and benediction. The Amen! of Nature is always a flower. Are you tired of my trivial personalities,--those splashes and streaks of sentiment, sometimes perhaps of sentimentality, which you may see when I show you my heart's corolla as if it were a tulip? Pray, do not give yourself the trouble to fancy me an idiot whose conceit it is to treat himself as an exceptional being. It is because you are just like me that I talk and know that you will listen. We are all splashed and streaked with sentiments,--not with precisely the same tints, or in exactly the same patterns, but by the same hand and from the same palette. I don't believe any of you happen to have just the same passion for the blue hyacinth which I have,--very certainly not for the crushed lilac-leaf-buds; many of you do not know how sweet they are. You love the smell of the sweet-fern and the bayberry-leaves, I don't doubt; but I hardly think that the last bewitches you with young memories as it does me. For the same reason I come back to damask roses, after having raised a good many of the rarer varieties. I like to go to operas and concerts, but there are queer little old homely sounds that are better than music to me. However, I suppose it's foolish to tell such things.