Complete Project Gutenberg Works of George MeredithMeredith, George
General
Complete Project Gutenberg Works of George Meredith
Meredith, George
English fiction -- 19th century
On the day preceding poor Tom's doomed appearance before the magistrate,
Dame Bakewell had an interview with Austin, who went to Raynham
immediately, and sought Adrian's counsel upon what was to be done.
Homeric laughter and nothing else could be got out of Adrian when he
heard of the doings of these desperate boys: how they had entered Dame
Bakewell's smallest of retail shops, and purchased tea, sugar, candles,
and comfits of every description, till the shop was clear of customers:
how they had then hurried her into her little back-parlour, where Richard
had torn open his shirt and revealed the coils of rope, and Ripton
displayed the point of a file from a serpentine recess in his jacket: how
they had then told the astonished woman that the rope she saw and the
file she saw were instruments for the liberation of her son; that there
existed no other means on earth to save him, they, the boys, having
unsuccessfully attempted all: how upon that Richard had tried with the
utmost earnestness to persuade her to disrobe and wind the rope round her
own person: and Ripton had aired his eloquence to induce her to secrete
the file: how, when she resolutely objected to the rope, both boys began
backing the file, and in an evil hour, she feared, said Dame Bakewell,
she had rewarded the gracious permission given her by Sir Miles Papworth
to visit her son, by tempting Tom to file the Law. Though, thanks be to
the Lord! Dame Bakewell added, Tom had turned up his nose at the file,
and so she had told young Master Richard, who swore very bad for a young
gentleman.
"Boys are like monkeys," remarked Adrian, at the close of his explosions,
"the gravest actors of farcical nonsense that the world possesses. May I
never be where there are no boys! A couple of boys left to themselves
will furnish richer fun than any troop of trained comedians. No: no Art
arrives at the artlessness of nature in matters of comedy. You can't
simulate the ape. Your antics are dull. They haven't the charming
inconsequence of the natural animal. Lack at these two! Think of the
shifts they are put to all day long! They know I know all about it, and
yet their serenity of innocence is all but unruffled in my presence.
You're sorry to think about the end of the business, Austin? So am I! I
dread the idea of the curtain going down. Besides, it will do Ricky a
world of good. A practical lesson is the best lesson."
"Sinks deepest," said Austin, "but whether he learns good or evil from it
is the question at stake."
Adrian stretched his length at ease.
Public-domain text, read in full here on John Shaqi.
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