Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
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Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
_Aug. 26_.--Bright has the day been, and my spirits an equal _forzando_.
Then comes the night, different, inexpressibly pensive, with its
own tender and temper'd splendor. Venus lingers in the west with a
voluptuous dazzle unshown hitherto this summer. Mars rises early, and
the red sulky moon, two days past her full; Jupiter at night's meridian,
and the long curling-slanted Scorpion stretching full view in the south,
Aretus-neck'd. Mars walks the heavens lord-paramount now; all through
this month I go out after supper and watch for him; sometimes getting
up at midnight to take another look at his unparallel'd lustre. (I see
lately an astronomer has made out through the new Washington telescope
that Mars has certainly one moon, perhaps two.) Pale and distant, but
near in the heavens, Saturn precedes him.
MULLEINS AND MULLEINS
Large, placid mulleins, as summer advances, velvety in texture, of a
light greenish-drab color, growing everywhere in the fields--at first
earth's big rosettes in their broad-leav'd low cluster-plants, eight,
ten, twenty leaves to a plant--plentiful on the fallow twenty-acre
lot, at the end of the lane, and especially by the ridge-sides of the
fences--then close to the ground, but soon springing up--leaves as broad
as my hand, and the lower ones twice as long--so fresh and dewy in the
morning--stalks now four or five, even seven or eight feet high. The
farmers, I find, think the mullein a mean unworthy weed, but I have
grown to a fondness for it. Every object has its lesson, enclosing
the suggestion of everything else--and lately I sometimes think all is
concentrated for me in these hardy, yellow-flower'd weeds. As I come
down the lane early in the morning, I pause before their soft wool-like
fleece and stem and broad leaves, glittering with countless diamonds.
Annually for three summers now, they and I have silently return'd
together; at such long intervals I stand or sit among them,
musing--and woven with the rest, of so many hours and moods of partial
rehabilitation--of my sane or sick spirit, here as near at peace as it
can be.
DISTANT SOUNDS
The axe of the wood-cutter, the measured thud of a single
threshing-flail, the crowing of chanticleer in the barn-yard, (with
invariable responses from other barn-yards,) and the lowing of
cattle--but most of all, or far or near, the wind--through the high
tree-tops, or through low bushes, laving one's face and hands so gently,
this balmy-bright noon, the coolest for a long time, (Sept. 2)--I will
not call it _sighing_, for to me it is always a firm, sane, cheery
expression, through a monotone, giving many varieties, or swift or slow,
or dense or delicate. The wind in the patch of pine woods off there--how
sibilant. Or at sea, I can imagine it this moment, tossing the waves,
with spirits of foam flying far, and the free whistle, and the scent
of the salt--and that vast paradox somehow with all its action and
restlessness conveying a sense of eternal rest.
Public-domain text, read in full here on John Shaqi.
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