Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
History
Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
It was a happy thought to build the Hudson river railroad right
along the shore. The grade is already made by nature; you are sure of
ventilation one side--and you are in nobody's way. I see, hear, the
locomotives and cars, rumbling, roaring, flaming, smoking, constantly,
away off there, night and day--less than a mile distant, and in full
view by day. I like both sight and sound. Express trains thunder and
lighten along; of freight trains, most of them very long, there cannot
be less than a hundred a day. At night far down you see the headlight
approaching, coming steadily on like a meteor. The river at night has
its special character-beauties. The shad fishermen go forth in their
boats and pay out their nets--one sitting forward, rowing, and one
standing up aft dropping it properly-marking the line with little
floats bearing candles, conveying, as they glide over the water, an
indescribable sentiment and doubled brightness. I like to watch the tows
at night, too, with their twinkling lamps, and hear the husky panting
of the steamers; or catch the sloops' and schooners' shadowy forms, like
phantoms, white, silent, indefinite, out there. Then the Hudson of a
clear moonlight night.
But there is one sight the very grandest. Sometimes in the fiercest
driving storm of wind, rain, hail or snow, a great eagle will appear
over the river, now soaring with steady and now overbended wings--always
confronting the gale, or perhaps cleaving into, or at times literally
_sitting_ upon it. It is like reading some first-class natural tragedy
or epic, or hearing martial trumpets. The splendid bird enjoys the
hubbub--is adjusted and equal to it--finishes it so artistically.
His pinions just oscillating--the position of his head and neck--his
resistless, occasionally varied flight--now a swirl, now an upward
movement--the black clouds driving--the angry wash below--the hiss
of rain, the wind's piping (perhaps the ice colliding, grunting)--he
tacking or jibing--now, as it were, for a change, abandoning himself to
the gale, moving with it with such velocity--and now, resuming control,
he comes up against it, lord of the situation and the storm--lord, amid
it, of power and savage joy.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account