Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
History
Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
_Aug. 4_.--Forenoon--as I sit under the willow shade, (have retreated
down in the country again,) a little bird is leisurely dousing and
flirting himself amid the brook almost within reach of me. He evidently
fears me not--takes me for some concomitant of the neighboring earthy
banks, free bushery and wild weeds. _6 p.m._--The last three days have
been perfect ones for the season, (four nights ago copious rains, with
vehement thunder and lightning.) I write this sitting by the creek
watching my two kingfishers at their sundown sport. The strong,
beautiful, joyous creatures! Their wings glisten in the slanted sunbeams
as they circle and circle around, occasionally dipping and dashing the
water, and making long stretches up and down the creek. Wherever I go
over fields, through lanes, in by-places, blooms the white-flowering
wild-carrot, its delicate pat of snow-flakes crowning its slender stem,
gracefully oscillating in the breeze,
EXPOSITION BUILDING--NEW CITY HALL--RIVER TRIP
PHILADELPHIA, _Aug. 26_.--Last night and to-night of unsurpass'd
clearness, after two days' rain; moon splendor and star splendor. Being
out toward the great Exposition building, West Philadelphia, I saw it
lit up, and thought I would go in. There was a ball, democratic but
nice; plenty of young couples waltzing and quadrilling--music by a good
string-band. To the sight and hearing of these--to moderate strolls up
and down the roomy spaces--to getting off aside, resting in an arm-chair
and looking up a long while at the grand high roof with its graceful and
multitudinous work of iron rods, angles, gray colors, plays of light and
shade, receding into dim outlines--to absorbing (in the intervals of the
string band,) some capital voluntaries and rolling caprices from the big
organ at the other end of the building--to sighting a shadow'd figure
or group or couple of lovers every now and then passing some near or
farther aisle--I abandon'd myself for over an hour.
Returning home, riding down Market street in an open summer car,
something detain'd us between Fifteenth and Broad, and I got out to view
better the new, three-fifths-built marble edifice, the City Hall,
of magnificent proportions--a majestic and lovely show there in the
moonlight--flooded all over, facades, myriad silver-white lines and
carv'd heads and mouldings, with the soft dazzle--silent, weird,
beautiful--well, I know that never when finish'd will that magnificent
pile impress one as it impress'd me those fifteen minutes.
To-night, since, I have been long on the river. I watch the C-shaped
Northern Crown, (with the star Alshacca that blazed out so suddenly,
alarmingly, one night a few years ago.) The moon in her third quarter,
and up nearly all night. And there, as I look eastward, my long-absent
Pleiades, welcome again to sight. For an hour I enjoy the soothing and
vital scene to the low splash of waves--new stars steadily, noiselessly
rising in the east.
Public-domain text, read in full here on John Shaqi.
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