Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
History
Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
The confronting of Platte cañon just at dawn, after a ten miles' ride in
early darkness on the rail from Denver--the seasonable stoppage at
the entrance of the cañon, and good breakfast of eggs, trout, and nice
griddle-cakes--then as we travel on, and get well in the gorge, all the
wonders, beauty, savage power of the scene--the wild stream of water,
from sources of snows, brawling continually in sight one side--the
dazzling sun, and the morning lights on the rocks--such turns and
grades in the track, squirming around corners, or up and down hills--far
glimpses of a hundred peaks, titanic necklaces, stretching north and
south--the huge rightly-named Dome-rock--and as we dash along, others
similar, simple, monolithic, elephantine.
AN EGOTISTICAL "FIND"
"I have found the law of my own poems," was the unspoken but
more-and-more decided feeling that came to me as I pass'd, hour after
hour, amid all this grim yet joyous elemental abandon--this plenitude
of material, entire absence of art, untrammel'd play of primitive
Nature--the chasm, the gorge, the crystal mountain stream,
repeated scores, hundreds of miles--the broad handling and absolute
uncrampedness--the fantastic forms, bathed in transparent browns, faint
reds and grays, towering sometimes a thousand, sometimes two or three
thousand feet high--at their tops now and then huge masses pois'd, and
mixing with the clouds, with only their outlines, hazed in misty lilac,
visible. ("In Nature's grandest shows," says an old Dutch writer, an
ecclesiastic, "amid the ocean's depth, if so might be, or countless
worlds rolling above at night, a man thinks of them, weighs all, not for
themselves or the abstract, but with reference to his own personality,
and how they may affect him or color his destinies.")
NEW SENSES: NEW JOYS
We follow the stream of amber and bronze brawling along its bed,
with its frequent cascades and snow-white foam. Through the cañon we
fly--mountains not only each side, but seemingly, till we get near,
right in front of us--every rood a new view flashing, and each flash
defying description--on the almost perpendicular sides, clinging
pines, cedars, spruces, crimson sumach bushes, spots of wild grass--but
dominating all, those towering rocks, rocks, rocks, bathed in delicate
vari-colors, with the clear sky of autumn overhead. New senses, new
joys, seem develop'd. Talk as you like, a typical Rocky Mountain cañon,
or a limitless sea-like stretch of the great Kansas or Colorado plains,
under favoring circumstances, tallies, perhaps expresses, certainly
awakes, those grandest and subtlest element-emotions in the human
soul, that all the marble temples and sculptures from Phidias to
Thorwaldsen--all paintings, poems, reminiscences, or even music,
probably never can.
STEAM-POWER, TELEGRAPHS, ETC
Public-domain text, read in full here on John Shaqi.
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