Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
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Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
(_After traveling Illinois, Missouri, Kansas and Colorado_) Grand as
is the thought that doubtless the child is already born who will see
a hundred millions of people, the most prosperous and advanc'd of the
world, inhabiting these Prairies, the great Plains, and the valley of
the Mississippi, I could not help thinking it would be grander still
to see all those inimitable American areas fused in the alembic of
a perfect poem, or other esthetic work, entirely western, fresh and
limitless--altogether our own, without a trace or taste of Europe's
soil, reminiscence, technical letter or spirit. My days and nights, as I
travel here--what an exhilaration!--not the air alone, and the sense
of vastness, but every local sight and feature. Everywhere something
characteristic--the cactuses, pinks, buffalo grass, wild sage--the
receding perspective, and the far circle-line of the horizon all times
of day, especially forenoon--the clear, pure, cool, rarefied nutriment
for the lungs, previously quite unknown--the black patches and streaks
left by surface-conflagrations--the deep-plough'd furrow of the
"fire-guard"--the slanting snow-racks built all along to shield
the railroad from winter drifts--the prairie-dogs and the herds
of antelope--the curious "dry rivers"--occasionally a "dug-out" or
corral--Fort Riley and Fort Wallace--those towns of the northern plains,
(like ships on the sea,) Eagle-Tail, Coyoté, Cheyenne, Agate, Monotony,
Kit Carson--with ever the ant-hill and the buffalo-wallow--ever the
herds of cattle and the cow-boys ("cow-punchers") to me a strangely
interesting class, bright-eyed as hawks, with their swarthy complexions
and their broad-brimm'd hats--apparently always on horseback, with loose
arms slightly raised and swinging as they ride.
THE SPANISH PEAKS--EVENING ON THE PLAINS
Public-domain text, read in full here on John Shaqi.
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