Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
History
Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
A special word about PIECES IN EARLY YOUTH at the end. On jaunts over
Long Island, as boy and young fellow, nearly half a century ago, I heard
of, or came across in my own experience, characters, true occurrences,
incidents, which I tried my 'prentice hand at recording--(I was
then quite an "abolitionist" and advocate of the "temperance" and
"anti-capital-punishment" causes)--and publish'd during occasional
visits to New York city. A majority of the sketches appear'd first in
the "Democratic Review," others in the "Columbian Magazine," or the
"American Review," of that period. My serious wish were to have all
those crude and boyish pieces quietly dropp'd in oblivion--but to avoid
the annoyance of their surreptitious issue, (as lately announced, from
outsiders,) I have, with some qualms, tack'd them on here. _A Dough-Face
Song_ came out first in the "Evening Post"--_Blood-Money_, and _Wounded
in the House of Friends_, in the "Tribune."
_Poetry To-day in America_, &c., first appear'd (under the name of "_The
Poetry of the Future_,") in "The North American Review" for February,
1881. _A Memorandum at a Venture_, in same periodical, some time
afterward.
Several of the convalescent out-door scenes and literary items,
preceding, originally appear'd in the fortnightly "Critic," of New York.
DEMOCRATIC VISTAS
As the greatest lessons of Nature through the universe are perhaps the
lessons of variety and freedom, the same present the greatest lessons
also in New World politics and progress. If a man were ask'd, for
instance, the distinctive points contrasting modern European and
American political and other life with the old Asiatic cultus, as
lingering-bequeath'd yet in China and Turkey, he might find the amount
of them in John Stuart Mill's profound essay on Liberty in the future,
where he demands two main constituents, or sub-strata, for a truly grand
nationality--1st, a large variety of character--and 2d, full play
for human nature to expand itself in numberless and even conflicting
directions--(seems to be for general humanity much like the influences
that make up, in their limitless field, that perennial health-action of
the air we call the weather--an infinite number of currents and forces,
and contributions, and temperatures, and cross-purposes, whose ceaseless
play of counterpart upon counterpart brings constant restoration and
vitality.) With this thought--and not for itself alone, but all it
necessitates, and draws after it--let me begin my speculations.
Public-domain text, read in full here on John Shaqi.
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