Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
History
Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
is as if we were somehow being endow'd with a vast and more and more
thoroughly-appointed body, and then left with little or no soul.
Let me illustrate further, as I write, with current observations,
localities, &c. The subject is important, and will bear repetition.
After an absence, I am now again (September, 1870) in New York city and
Brooklyn, on a few weeks' vacation. The splendor, picturesqueness,
and oceanic amplitude and rush of these great cities, the unsurpass'd
situation, rivers and bay, sparkling sea-tides, costly and lofty new
buildings, façades of marble and iron, of original grandeur and elegance
of design, with the masses of gay color, the preponderance of white
and blue, the flags flying, the endless ships, the tumultuous streets,
Broadway, the heavy, low, musical roar, hardly ever intermitted, even
at night; the jobbers' houses, the rich shops, the wharves, the great
Central Park, and the Brooklyn Park of hills, (as I wander among
them this beautiful fall weather, musing, watching, absorbing)--the
assemblages of the citizens in their groups, conversations, trades,
evening amusements, or along the by-quarters--these, I say, and the like
of these, completely satisfy my senses of power, fulness, motion, &c.,
and give me, through such senses and appetites, and through my esthetic
conscience, a continued exaltation and absolute fulfilment. Always and
more and more, as I cross the East and North rivers, the ferries, or
with the pilots in their pilot-houses, or pass an hour in Wall street,
or the gold exchange, I realize, (if we must admit such partialisms,)
that not Nature alone is great in her fields of freedom and the open
air, in her storms, the shows of night and day, the mountains, forests,
seas--but in the artificial, the work of man too is equally great--in
this profusion of teeming humanity--in these ingenuities, streets,
goods, houses, ships--these hurrying, feverish, electric crowds of men,
their complicated business genius, (not least among the geniuses,) and
all this mighty, many-threaded wealth and industry concentrated here.
But sternly discarding, shutting our eyes to the glow and grandeur of
the general superficial effect, coming down to what is of the only real
importance, Personalities, and examining minutely, we question, we ask,
Are there, indeed, _men_ here worthy the name? Are there athletes? Are
there perfect women, to match the generous material luxuriance? Is there
a pervading atmosphere of beautiful manners? Are there crops of fine
youths, and majestic old persons? Are there arts worthy freedom and a
rich people? Is there a great moral and religious civilization--the
only justification of a great material one? Confess that to severe eyes,
using the moral microscope upon humanity, a sort of dry and flat Sahara
appears, these cities, crowded with petty grotesques, malformations,
phantoms, playing meaningless antics.
Public-domain text, read in full here on John Shaqi.
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