Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
History
Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
Then still the thought returns, (like the thread-passage in overtures,)
giving the key and echo to these pages. When I pass to and fro,
different latitudes, different seasons, beholding the crowds of the
great cities, New York, Boston, Philadelphia, Cincinnati, Chicago, St.
Louis, San Francisco, New Orleans, Baltimore--when I mix with these
interminable swarms of alert, turbulent, good-natured, independent
citizens, mechanics, clerks, young persons--at the idea of this mass
of men, so fresh and free, so loving and so proud, a singular awe falls
upon me. I feel, with dejection and amazement, that among our geniuses
and talented writers or speakers, few or none have yet really spoken to
this people, created a single image-making work for them, or absorb'd
the central spirit and the idiosyncrasies which are theirs--and
which, thus, in highest ranges, so far remain entirely uncelebrated,
unexpress'd.
Dominion strong is the body's; dominion stronger is the mind's. What
has fill'd, and fills to-day our intellect, our fancy, furnishing the
standards therein, is yet foreign. The great poems, Shakspere included,
are poisonous to the idea of the pride and dignity of the common people,
the life-blood of democracy. The models of our literature, as we get
it from other lands, ultra-marine, have had their birth in courts, and
bask'd and grown in castle sunshine; all smells of princes' favors. Of
workers of a certain sort, we have, indeed, plenty, contributing after
their kind; many elegant, many learn'd, all complacent. But touch'd by
the national test, or tried by the standards of democratic personality,
they wither to ashes. I say I have not seen a single writer, artist,
lecturer, or what-not, that has confronted the voiceless but ever erect
and active, pervading, underlying will and typic aspiration of the
land, in a spirit kindred to itself. Do you call those genteel little
creatures American poets? Do you term that perpetual, pistareen,
paste-pot work, American art, American drama, taste, verse? I think I
hear, echoed as from some mountain-top afar in the west, the scornful
laugh of the Genius of these States.
Democracy, in silence, biding its time, ponders its own ideals, not of
literature and art only--not of men only, but of women. The idea of the
women of America, (extricated from this daze, this fossil and unhealthy
air which hangs about the word _lady_,) develop'd, raised to become the
robust equals, workers, and, it may be, even practical and political
deciders with the men--greater than man, we may admit, through their
divine maternity, always their towering, emblematical attribute--but
great, at any rate, as man, in all departments; or, rather, capable of
being so, soon as they realize it, and can bring themselves to give up
toys and fictions, and launch forth, as men do, amid real, independent,
stormy life.
Public-domain text, read in full here on John Shaqi.
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