Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
History
Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
We see, as in the universes of the material kosmos, after
meteorological, vegetable, and animal cycles, man at last arises, born
through them, to prove them, concentrate them, to turn upon them with
wonder and love--to command them, adorn them, and carry them upward
into superior realms--so, out of the series of the preceding social and
political universes, now arise these States. We see that while many were
supposing things establish'd and completed, really the grandest things
always remain; and discover that the work of the New World is not ended,
but only fairly begun.
We see our land, America, her literature, esthetics, &c., as,
substantially, the getting in form, or effusement and statement, of
deepest basic elements and loftiest final meanings, of history and
man--and the portrayal, (under the eternal laws and conditions of
beauty,) of our own physiognomy, the subjective tie and expression of
the objective, as from our own combination, continuation, and points of
view--and the deposit and record of the national mentality, character,
appeals, heroism, wars, and even liberties--where these, and
all, culminate in native literary and artistic formulation, to be
perpetuated; and not having which native, first-class formulation, she
will flounder about, and her other, however imposing, eminent greatness,
prove merely a passing gleam; but truly having which, she will
understand herself, live nobly, nobly contribute, emanate, and,
swinging, poised safely on herself, illumin'd and illuming, become a
full-form'd world, and divine Mother not only of material but spiritual
worlds, in ceaseless succession through time--the main thing being the
average, the bodily, the concrete, the democratic, the popular, on which
all the superstructures of the future are to permanently rest.
Notes:
Public-domain text, read in full here on John Shaqi.
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