Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
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Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
[10] There is a tulip poplar within sight of Woodstown, which is twenty
feet around, three feet from the ground, four feet across about eighteen
feet up the trunk, which is broken off about three or four feet higher
up. On the south side an arm has shot out from which rise two stems,
each to about ninety-one or ninety-two feet from the ground. Twenty-five
(or more) years since the cavity in the butt was large enough for,
and nine men at one time, ate dinner therein. It is supposed twelve to
fifteen men could now, at one time, stand within its trunk. The severe
winds of 1877 and 1878 did not seem to damage it, and the two stems send
out yearly many blossoms, scenting the air immediately about it with
their sweet perfume. It is entirely unprotected by other trees, on a
hill.--_Woodstown, N. J., "Register," April 15, '79_.
THE SKY--DAYS AND NIGHTS--HAPPINESS
_Oct. 20_.--A clear, crispy day--dry and breezy air, full of oxygen.
Out of the sane, silent, beauteous miracles that envelope and fuse
me--trees, water, grass, sunlight, and early frost--the one I am looking
at most to-day is the sky. It has that delicate, transparent blue,
peculiar to autumn, and the only clouds are little or larger white
ones, giving their still and spiritual motion to the great concave. All
through the earlier day (say from 7 to 11) it keeps a pure, yet vivid
blue. But as noon approaches the color gets lighter, quite gray for two
or three hours--then still paler for a spell, till sun-down--which last
I watch dazzling through the interstices of a knoll of big trees--darts
of fire and a gorgeous show of light-yellow, liver-color and red, with a
vast silver glaze askant on the water--the transparent shadows, shafts,
sparkle, and vivid colors beyond all the paintings ever made.
I don't know what or how, but it seems to me mostly owing to these
skies, (every now and then I think, while I have of course seen them
every day of my life, I never really saw the skies before,) have had
this autumn some wondrously contented hours--may I not say perfectly
happy ones? As I have read, Byron just before his death told a friend
that he had known but three happy hours during his whole existence. Then
there is the old German legend of the king's bell, to the same point.
While I was out there by the wood, that beautiful sunset through the
trees, I thought of Byron's and the bell story, and the notion started
in me that I was having a happy hour. (Though perhaps my best moments
I never jot down; when they come I cannot afford to break the charm by
inditing memoranda. I just abandon myself to the mood, and let it float
on, carrying me in its placid extasy.)
Public-domain text, read in full here on John Shaqi.
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