Complete Short Works of George MeredithMeredith, George
General
Complete Short Works of George Meredith
Meredith, George
English fiction -- 19th century
She answered it, ‘Is not one month of brightness as much as we can ask
for?’
The beau clapped his elbows complacently to his sides in philosophical
concord with her sentiment.
In the afternoon, on the parade, they were joined by Mr. Camwell, among
groups of fashionable ladies and their escorts, pacing serenely, by
medical prescription, for an appetite. As he did not comment on the
absence of the duchess, Mr. Beamish alluded to it; whereupon he was
informed that she was about the meadows, and had been there for some
hours.
‘Not unguarded,’ he replied to Mr. Beamish.
‘Aha!’ quoth the latter; ‘we have an Argus!’ and as the duchess was not
on the heights, and the sun’s rays were mild in cloud, he agreed to
his young friend’s proposal that they should advance to meet her. Chloe
walked with them, but her face was disdainful; at the stiles she gave
her hand to Mr. Beamish; she did not address a word to Mr. Camwell,
and he knew the reason. Nevertheless he maintained his air of soldierly
resignation to the performance of duty, and held his head like a
gentleman unable to conceive the ignominy of having played spy. Chloe
shrank from him.
Duchess Susan was distinguished coming across a broad uncut meadow,
tirra-lirraing beneath a lark, Caseldy in attendance on her. She stopped
short and spoke to him; then came forward, crying ingenuously. ‘Oh, Mr.
Beamish, isn’t this just what you wanted me to do?’
‘No, madam,’ said he, ‘you had my injunctions to the contrary.’
‘La!’ she exclaimed, ‘I thought I was to run about in the fields now and
then to preserve my simplicity. I know I was told so, and who told me!’
Mr. Beamish bowed effusively to the introduction of Caseldy, whose
fingers he touched in sign of the renewal of acquaintance, and with a
laugh addressed the duchess:
‘Madam, you remind me of a tale of my infancy. I had a juvenile comrade
of the tenderest age, by name Tommy Plumston, and he enjoyed the
privilege of intimacy with a component urchin yclept Jimmy Clungeon,
with which adventurous roamer, in defiance of his mother’s interdict
against his leaving the house for a minute during her absence from
home, he departed on a tour of the district, resulting, perhaps as a
consequence of its completeness, in this, that at a distance computed at
four miles from the maternal mansion, he perceived his beloved mama with
sufficient clearness to feel sure that she likewise had seen him.
Tommy consulted with Jimmy, and then he sprang forward on a run to his
frowning mama, and delivered himself in these artless words, which I
repeat as they were uttered, to give you the flavour of the innocent
babe: he said, “I frink I frought I hear you call me, ma! and Jimmy
Clungeon, he frought he frink so too!” So, you see, the pair of them
were under the impression that they were doing right. There is a
delicate distinction in the tenses of each frinking where the other
frought, enough in itself to stamp sincerity upon the statement.’
Public-domain text, read in full here on John Shaqi.
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