Complete Short Works of George MeredithMeredith, George
General
Complete Short Works of George Meredith
Meredith, George
English fiction -- 19th century
He recurs to his victim’s merits, but only compassionately, and the
compassion is chilled by the thought that she may in the end start
across his path to thwart him. Thereat he is drawn to think of the prize
she may rob him of; and when one woman is an obstacle, the other shines
desirable as life beyond death; he must have her; he sees her in the
hue of his desire for her, and the obstacle in that of his repulsion.
Cruelty is no more than the man’s effort to win the wished object.
She should not leave it to his imagination to conceive that in the end
the blind may awaken to thwart him. Better for her to cast him hence,
or let him know that she will do battle to keep him. But the pride of a
love that has hardened in the faithfulness of love cannot always be wise
on trial.
Caseldy walked considerably in the rear of the couple of chairs. He saw
on his way what was coming. His two young squires were posted at Duchess
Susan’s door when she arrived, and he received a blow from one of them
in clearing a way for her. She plucked at his hand. ‘Have they hurt
you?’ she asked.
‘Think of me to-night thanking them and heaven for this, my darling,’ he
replied, with a pressure that lit the flying moment to kindle the after
hours.
Chloe had taken help of one of her bearers to jump out. She stretched
a finger at the unruly intruders, crying sternly, ‘There is blood on
you--come not nigh me!’ The loftiest harangue would not have been so
cunning to touch their wits. They stared at one another in the clear
moonlight. Which of them had blood on him? As they had not been for
blood, but for rough fun, and something to boast of next day, they
gesticulated according to the first instructions of the dancing master,
by way of gallantry, and were out of Caseldy’s path when he placed
himself at his liege lady’s service. ‘Take no notice of them, dear,’ she
said.
‘No, no,’ said he; and ‘What is it?’ and his hoarse accent and shaking
clasp of her arm sickened her to the sensation of approaching death.
Upstairs Duchess Susan made a show of embracing her. Both were
trembling. The duchess ascribed her condition to those dreadful men.
‘What makes them be at me so?’ she said.
And Chloe said, ‘Because you are beautiful.’
‘Am I?’
‘You are.’
‘I am?’
‘Very beautiful; young and beautiful; beautiful in the bud. You will
learn to excuse them, madam.’
‘But, Chloe--’ The duchess shut her mouth. Out of a languid reverie, she
sighed: ‘I suppose I must be! My duke--oh, don’t talk of him. Dear man!
he’s in bed and fast asleep long before this. I wonder how he came to
let me come here.
I did bother him, I know. Am I very, very beautiful, Chloe, so that men
can’t help themselves?’
‘Very, madam.’
‘There, good-night. I want to be in bed, and I can’t kiss you because
you keep calling me madam, and freeze me to icicles; but I do love you,
Chloe.’
‘I am sure you do.’
Public-domain text, read in full here on John Shaqi.
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