Didactic fiction; Political fiction; Social problems -- Fiction
He pulled up a chair beside the window-seat where she lay, and told her
about Beatrice; told it in a way that did not make her seem offensive to
Yetta. He told the story as truthfully as might be, without giving its
real explanation--his heartbreak over Mabel. He did not want to bring
this in. If Yetta had asked him point-blank how long it was since he had
been in love with Mabel, he would not have tried to deceive her. But the
telling of it would only distress her.
"It may not sound to you like a pretty story," he ended. "I'm not proud
of it. But I'm not exactly ashamed either. It's a sick sort of a world
we live in. There are better days coming when the relations between men
and women will be saner and sweeter--and finer. But I don't think more
lightly of Beatrice because of this. She's a remarkable woman. Life has
not been very kind to her. But she's fought her way to the place where
she is through with pretence. That at least was fine about our
friendship. We were not pretending. I haven't told it very well, perhaps
I haven't made you understand. But I hope Beatrice can look back on it
without being ashamed. I can."
Although Yetta listened intently, she was all the time thinking not so
much of Mrs. Karner as of what she typified--the unknown life of the man
she loved, the things he had not told her.
"Am I forgiven?" he asked, kneeling beside her and taking her hand.
"Oh! Forgiven! That isn't it. Who am I to forgive you or blame you? It's
that I don't understand. And when I don't understand, I'm afraid."
"You mustn't be afraid of the past, darling."
"I don't know about that. When it comes to love, I can't think of any
past or present or future. It's just somehow eternally always and now
and for ever and ever. I'm not sure we can get away from the past. I
can't explain it very well, but some things are real and some aren't. I
don't think I'll ever get rid of the real things which have come to me.
They'll never die."
"Well, don't worry about Beatrice,--that was only an interlude--not
'real.'"
"And Mabel?"
"A dream."
"But some dreams are real," she insisted.
"No dream in all the world, Yetta, is real like your lips."
She wanted so much to be kissed, had been so frightened for a moment,
that she sought his arms without questioning this statement. But a few
minutes later the thought came to her suddenly that he had kissed
Beatrice just as he was kissing her. He felt her wince.
"What's the matter?" he asked.
"Oh, I'm dizzy. Let me go a minute."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account