Didactic fiction; Political fiction; Social problems -- Fiction
Out on Waverly Place she suddenly realized that her feet were carrying
her to Washington Square and Walter. The Enemy made a desperate
assault--surprised her with her visor up, her sword in its sheath, her
shield hanging useless on her back. Why not? He would not have the heart
to send her away. She knew his kindliness. If they were together, he
would grow to love her. How could she expect him to change while they
were apart? Together all would go well--
She had thought that the struggle of a few minutes before had been
final--and here it was all to do over again.
A white-haired old man was walking towards her, but she did not notice
him until he stopped and spoke.
"Are you sick, Miss?"
"No"--she shivered as she realized the import of what he had said, how
much worse it was than he suspected--"Oh, no! I'm not sick."
But the old man stood still watching her as she turned down McDougal
Street. He was half inclined to call a doctor. Soon Yetta realized that
she had reached Bleecker Street. She turned across town to the Subway
and so down to Newspaper Row and _The Clarion_ office.
It bore no resemblance to that of _The Star_. The loft of a warehouse
had been cut in two by a flimsy partition. In the back was a battery of
second-hand, old-style linotypes, a couple of type-frames for the
advertisement and job work, the make-up slab, the proof tables, and the
stereotyping outfit. The stairway opened into this noisy, crowded room.
Yetta had to walk carefully between the machines to reach the editorial
room beyond the partition.
A low railing divided the front room between the "editorial" and
"business" departments. To the right was a long reporters' table,
smaller ones for the "City" and "Exchange" editors, and a roll-top desk
beyond for Isadore.
Levine, a youngster with very curly black hair, a wilted collar, and
soaked shirt, jumped up to greet Yetta.
"Hello," he shouted above the din of the typewriters and machines.
"Here's a note from Isadore. He's out trying to raise money. I hope to
God you can help us. Locke's sick. I'm running his desk and mine and
Isadore's this morning. Harry's covering the Party News and Woman's Page
besides his Telegraph and Exchanges, so that Sam can cover the State
Convention. How in hell they expect us to get out a paper so
short-handed is--"
"Oh, stop your croaking," Harry Moore yelled from his table, hardly
looking up from a pile of Labor Papers he was clipping. "Things are no
worse than usual. We'll get her out somehow. We always do. God's good
to drunks and fools and Socialists."
One of the bookkeepers, from the "business" side of the railing,
overhearing this "editorial" controversy, began to count at the top of
his voice.
"One! Two! Three!"
At "Three" every one in the room, except Yetta and Levine, chanted in
unison:--
"O-o-oh! Cut it out and work for Socialism!"
"You make me tired," Levine growled back at them, and sat down at his
table with a despairing gesture.
Public-domain text, read in full here on John Shaqi.
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