Things admirable for the admirable hours. The morning for thought, the afternoon for recreation, the evening for company, the night for rest. Having drank of immortality all night, the genius enters eagerly upon the day's task, impatient of any impertinences jogging the full glass. The best comes when we are at our best; and who so buoyant as to be always rider of the wave? Sleep, and see; wake, and report the nocturnal spectacle. Sleep, like travel, enriches, refreshes, by varying the day's perspective, showing us the night side of the globe we traverse day by day. We make transits too swift for our wakeful senses to follow; pass from solar to lunar consciousness in a twinkling, lapse from forehead and face to occupy our lower parts, and recover, as far as permitted, the keys of genesis and of the foreworlds. "All truth," says Porphyry, "is latent; but this the soul sometimes beholds when she is a little liberated by sleep from the employments of the body. And sometimes she extends her sight, but never perfectly reaches the objects of her vision. Hence, when she beholds, she does not see it with a free and direct light, but through an intervening veil, which the folds of darkening nature draw over her eye. This veil, when in sleep it admits the light to extend as far as truth, is said to be of horn, whose nature is such, from its tenuity, that it is pervious to the light. But when it dulls the sight and repels its vision of truth, it is said to be of ivory, which is a body so naturally dense, that, however thin it may be scraped, it cannot be penetrated by the visual rays." Homer says,-- "Our dreams descend from Jove." That is, from the seat of intellect, and declare their import when our will sleeps. Then are they of weighty and reliable import, yet require the like suppression of our will to make plain their significance. Only so is the oracle made reliable. The good alone dream divinely. Our dreams are characteristic of our waking thoughts and states; we are never out of character; never quite another, even when fancy seeks to metamorphose us entirely. The Person is One in all the manifold phases of the Many through which we transmigrate, and we find ourself perpetually, because we cannot lose ourself personally in the mazes of the many. 'Tis the one soul in manifold shapes, ever the old friend of the mirror in other face, old and new, yet one in endless revolution and metamorphosis, suggesting a common relationship of forms at their base, with divergent types as these range wider and farther from their central archetype, including all concrete forms in nature, each returning into other, and departing therefrom in endless revolution.[14]