He asked if there did not lurk in the fancy, if not in our atoms, a
persuasion that complexion, like features, voice, gait, typified and
emblazoned personal traits of their possessors, if the rhetoric of
morals and religion did not revel in like distinctions. "Handsome is
that handsome does." Beauty was the birthright of all, if not their
inheritance. It was shame that brought deformity into the world. Every
child accused, he knew not whom, for any blemish of his. "Why not mine
the happy star, too?" Still some trait was insinuated into the least
favored, and stamped upon the embryonic clay. Ebony, alabaster, indigo,
vermilion, the pigments were all mingled as purity or passion decreed.
Types were persistent, family features standing strong for centuries
and perpetuating themselves from generation to generation. Place the
portraits of a long line of ancestors on the walls, one's features
were all there, with the slight variations arising from intermarriage,
degrees of culture, calling, climate.
"Our faces were our coats of arms."
"Eyes were most characteristic. These played the prime parts in
life,--eyes and voice. Eyes were a civility and a kingdom: voice a
fortune. There was a culture, a fate in them, direful, divine." And he
quoted, without naming the author:--
"Black eyes, in your dark orbs doth lie
My ill or happy destiny;
If with clear looks you me behold,
You give me wine and mounts of gold;
If you dart forth disdainful rays,
To your own dye you turn my days;
Black eyes, in your dark orbs doth dwell
My bane or bliss, my heaven or hell."
Then added, significantly:--
Ask you _my_ preference, what their hue?
Surely the safe, celestial blue.
He said: "Voice classified us. The harmonious voice tells of the
harmonious soul. Millions of fiends are evoked in a breath by an
irritated one. A gentle voice converts the Furies into Muses. The
highest saint is not he who strives the most violently, but he upon
whom goodness sits gracefully, whose strength is gentleness, duty
loved, because spontaneous, and who wastes none of his power in effort;
his will being one and above temptation. True love says, 'Come to my
embrace, you are safer with me than you were with yourself, since I am
wise above knowledge, and tasting of the apple.' The sequel is bliss
and peace. But after fascination comes sorrow, remorse. The touch of
the demonized soul is poison. Read Swedenborg's Hells, he added, and
beware of demonized eyes!"
I never saw any one who seemed to purify words as Mr. Alcott does; with
him nothing is common or unclean.
Public-domain text, read in full here on John Shaqi.
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