The two most elaborate groups here have already attained some measure
of publicity; the "Bison and Wolves" having been exhibited in the Paris
Salon in 1878, and the "Deer and Panther" having been purchased in
bronze by Mr. Winans during the sculptor's sojourn in England. Each
group represents one of those deadly combats between wild beasts which
are among the most terrific and at the same time most natural incidents
of animal existence; and they are of especial interest as showing the
artist's power of concentrated and graphic composition. A complicated
story is told in both these instances with a masterly economy of
material and balance of proportion; so that the spectator's eye takes
in the whole subject at a glance, and yet finds inexhaustible interest
in the examination of details, all of which contribute to the central
effect without distracting the attention. A companion piece to the
"Deer and Panther" shows the same animals as they have fallen, locked
together in death after the combat is over. In the former group, the
panther, in springing upon the deer, had impaled its neck on the deer's
right antler, and had then swung round under the latter's body, burying
the claws of its right fore foot in the ruminant's throat. In order
truthfully to represent the second stage of the encounter, therefore,
it was necessary not merely to model a second group, but to retain the
elements and construction of the first group under totally changed
conditions. This is a feat of such peculiar difficulty that I think few
artists in any branch of art would venture to attempt it; nevertheless,
Mr. Kemeys has accomplished it; and the more the two groups are studied
in connection with each other, the more complete will his success be
found to have been. The man who can do this may surely be admitted a
master, whose works are open only to affirmative criticism. For his
works the most trying of all tests is their comparison with one
another; and the result of such comparison is not merely to confirm
their merit, but to illustrate and enhance it.
Public-domain text, read in full here on John Shaqi.
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