where it is, and young radicals finally come to perceive that, regarded
from the proper point of view, and in the right spirit, it is not so
tiresome after all. Divine Revelation itself can be expressed in very
moderate and commonplace language; and if one's thoughts are worth
thinking, they are worth clothing in adequate and serene attire.
But "culture," and literature with it, have made such surprising
advances of late, that we are apt to forget how really primitive and
unenlightened the generation was in which Winthrop wrote. Imagine a
time when Mr. Henry James, Jr., and Mr. W. D. Howells had not been
heard of; when Bret Harte was still hidden below the horizon of the far
West; when no one suspected that a poet named Aldrich would ever write
a story called "Marjorie Daw"; when, in England, "Adam Bede" and his
successors were unborn;--a time of antiquity so remote, in short, that
the mere possibility of a discussion upon the relative merit of the
ideal and the realistic methods of fiction was undreamt of! What had an
unfortunate novelist of those days to fall back upon? Unless he wished
to expatriate himself, and follow submissively in the well worn steps
of Dickens, Thackeray, and Trollope, the only models he could look to
were Washington Irving, Edgar Allan Foe, James Fenimore Cooper, and
Nathaniel Hawthorne. "Elsie Venner" had scarcely made its appearance at
that date. Irving and Cooper were, on the other hand, somewhat
antiquated. Poe and Hawthorne were men of very peculiar genius, and,
however deep the impression they have produced on our literature, they
have never had, because they never can have, imitators. As for the
author of "Uncle Tom's Cabin," she was a woman in the first place, and,
in the second place, she sufficiently filled the field she had
selected. A would-be novelist, therefore, possessed of ambition, and
conscious of not being his own father or grandfather, saw an untrodden
space before him, into which he must plunge without support and without
guide. No wonder if, at the outset, he was a trifle awkward and
ill-at-ease, and, like a raw recruit under fire, appeared affected from
the very desire he felt to look unconcerned. It is much to his credit
that he essayed the venture at all; and it is plain to be seen that,
with each forward step he took, his self-possession and simplicity
increased. If time had been given him, there is no reason to doubt that
he might have been standing at the head of our champions of fiction
to-day.
Public-domain text, read in full here on John Shaqi.
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