Moore, George, 1852-1933; Paris (France) -- Intellectual life
Handicapped as I was with dangerous ideas, and an impossible style, defeat
was inevitable. My English was rotten with French idiom; it was like an
ill-built wall overpowered by huge masses of ivy; the weak foundations had
given way beneath the weight of the parasite; and the ideas I sought to
give expression to were green, sour, and immature as apples in August.
Therefore before long the leading journal that had printed two poems and
some seven or eight critical articles, ceased to send me books for review,
and I fell back upon obscure society papers. Fortunately it was not
incumbent on me to live by my pen; so I talked, and watched, and waited
till I grew akin to those around me, and my thoughts blended with, and took
root in my environment. I wrote a play or two, I translated a French opera,
which had a run of six nights, I dramatized a novel, I wrote short stories,
and I read a good deal of contemporary fiction.
The first book that came under my hand was "A Portrait of a Lady," by Henry
James. Each scene is developed with complete foresight and certainty of
touch. What Mr. James wants to do he does. I will admit that an artist may
be great and limited; by one word he may light up an abyss of soul; but
there must be this one magical and unique word. Shakespeare gives us the
word, Balzac, sometimes, after pages of vain striving, gives us the word,
Tourgueneff gives it with miraculous certainty; but Henry James, no; a
hundred times he flutters about it; his whole book is one long flutter near
to the one magical and unique word, but the word is not spoken; and for
want of the word his characters are never resolved out of the haze of
nebulae. You are on a bowing acquaintance with them; they pass you in the
street, they stop and speak to you, you know how they are dressed, you
watch the colour of their eyes. When I think of "A Portrait of a Lady,"
with its marvellous crowd of well-dressed people, it comes back to me
precisely as an accurate memory of a fashionable soirée--the staircase with
its ascending figures, the hostess smiling, the host at a little distance
with his back turned; some one calls him. He turns; I can see his white kid
gloves; the air is as sugar with the odour of the gardenias; there is
brilliant light here; there is shadow in the further rooms; the women's
feet pass to and fro beneath the stiff skirts; I call for my hat and coat;
I light a cigar; I stroll up Piccadilly ... a very pleasant evening; I have
seen a good many people I knew; I have observed an attitude, and an
earnestness of manner that proved that a heart was beating.
Mr. James might say, "If I have done this, I have done a great deal," and I
would answer, "No doubt you are a man of great talent, great cultivation
and not at all of the common herd; I place you in the very front rank, not
only of novelists but of men of letters."
Public-domain text, read in full here on John Shaqi.
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