Moore, George, 1852-1933; Paris (France) -- Intellectual life
The mechanical construction of M. Scribe I had learnt from M. Duval; the
naturalistic school had taught me to scorn tricks, and to rely on the
action of the sentiments rather than on extraneous aid for the bringing
about of a _dénouement_; and I thought of all this as I read
"Disenchantment" by Miss Mabel Robinson, and it occurred to me that my
knowledge would prove valuable when my turn came to write a novel, for
the _mise en place_, the setting forth of this story, seemed to me so
loose, that much of its strength had dribbled away before it had rightly
begun. But the figure of the Irish politician I accept without reserve.
It seems to me grand and mighty in its sorrowfulness. The tall,
dark-eyed, beautiful Celt, attainted in blood and brain by generations
of famine and drink, alternating with the fervid sensuousness of the
girl, her Saxon sense of right alternating with the Celt's hereditary
sense of revenge, his dreamy patriotism, his facile platitudes, his
acceptance of literature as a sort of bread basket, his knowledge that
he is not great nor strong, and can do nothing in the world but love his
country; and as he passes his thirtieth year the waxing strong of the
disease, nervous disease complex and torturous; to him drink is at once
life and death; an article is bread, and to calm him and collect what
remains of weak, scattered thought, he must drink. The woman cannot
understand that caste and race separate them; and the damp air of spent
desire, and the grey and falling leaves of her illusions fill her life's
sky. Nor is there any hope for her until the husband unties the awful
knot by suicide.
I aver that Mr R.L. Stevenson never wrote a line that failed to delight
me; but he never wrote a book. You arrive at a strangely just estimate
of a writer's worth by the mere question: "What is he the author of?"
for every writer whose work is destined to live is the author of one
book that outshines the other, and, in popular imagination, epitomises
his talent and position. Ask the same question about Milton, Fielding,
Byron, Carlyle, Thackeray, Zola, Mr Swinburne.
Public-domain text, read in full here on John Shaqi.
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