Moore, George, 1852-1933; Paris (France) -- Intellectual life
I realize that this is truth, the one truth, and the whole truth; and
yet the vainest woman that ever looked in a glass never regretted her
youth more than I, or felt the disgrace of middle-age more keenly. She
has her portrait painted, I write these confessions; each hopes to save
something of the past, and escape somehow the ravening waves of time and
float into some haven of remembrance. St Augustine's Confessions are the
story of a God-tortured, mine of an art-tortured, soul. Which subject is
the most living? The first! for man is stupid and still loves his
conscience as a child loves a toy. Now the world plays with "Robert
Elsmere." This book seems to me like a suite of spacious, well
distributed, and well proportioned rooms. Looking round, I say, 'tis a
pity these rooms are only in plaster of Paris.
"Les Palais Nomades" is a really beautiful book, and it is free from all
the faults that make an absolute and supreme enjoyment of great poetry
an impossibility. For it is in the first place free from those pests and
parasites of artistic work--ideas. Of all literary qualities the
creation of ideas is the most fugitive. Think of the fate of an author
who puts forward a new idea to-morrow in a book, in a play, in a poem.
The new idea is seized upon, it becomes common property, it is dragged
through newspaper articles, magazine articles, through books, it is
repeated in clubs, drawing-rooms; it is bandied about the corners of
streets; in a week it is wearisome, in a month it is an abomination. Who
has not felt a sickening feeling come over him when he hears such
phrases as "To be or not to be, that is the question?" Shakespeare was
really great when he wrote "Music to hear, why hearest thou music
sadly?" not when he wrote, "The apparel oft proclaims the man." Could he
be freed from his ideas what a poet we should have! Therefore, let those
who have taken firsts at Oxford devote their intolerable leisure to
preparing an edition from which everything resembling an idea shall be
excluded. We might then shut up our Marlowes and our Beaumonts and
resume our reading of the bard, and the witless foists would confer
happiness on many, and crown themselves with truly immortal bays. See
the fellows! their fingers catch at scanty wisps of hair, the lamps are
burning, the long pens are poised, and idea after idea is hurled out of
existence.
Public-domain text, read in full here on John Shaqi.
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