Moore, George, 1852-1933; Paris (France) -- Intellectual life
Not even to Marshall did I confide my foreboding that Paris would pass
out of my life, that it would henceforth be with me a beautiful memory,
but never more a practical delight. He and I were no longer living
together; we had parted a second time, but this time without bitterness
of any kind; he had learnt to feel that I wanted to live alone, and had
moved away into the Latin quarter, whither I made occasional
expeditions. I accompanied him once to the old haunts, but various terms
of penal servitude had scattered our friends, and I could not interest
myself in the new. Nor did Marshall himself interest me as he had once
done. To my eager taste, he had grown just a little trite. My affection
for him was as deep and sincere as ever; were I to meet him now I would
grasp his hand and hail him with firm, loyal friendship; but I had made
friends in the Nouvelle Athènes who interested me passionately, and my
thoughts were absorbed by and set on new ideals, which Marshall had
failed to find sympathy for, or even to understand. I had introduced him
to Degas and Manet, but he had spoken of Jules Lefèbvre and Bouguereau,
and generally shown himself incapable of any higher education; he could
not enter where I had entered, and this was alienation. We could no
longer even talk of the same people; when I spoke of a certain
_marquise_, he answered with an indifferent "Do you really think so"?
and proceeded to drag me away from my glitter of satin to the dinginess
of print dresses. It was more than alienation, it was almost separation;
but he was still my friend, he was the man, and he always will be, to
whom my youth, with all its aspirations, was most closely united. So I
turned to say good-bye to him and to my past life. Rap--rap--rap!
"Who's there?"
"I--George Moore."
"I've got a model."
"Never mind your model. Open the door. How are you? what are you
painting?"
"This; what do you think of it?"
"It is prettily composed. I think it will come out all right. I am going
to England; come to say good-bye."
"Going to England! What will you do in England?"
"I have to go about money matters, very tiresome. I had really begun to
forget there was such a place."
"But you are not going to stay there?"
"Oh, no!"
"You will be just in time to see the Academy."
The conversation turned on art, and we æstheticised for an hour. At last
Marshall said, "I am really sorry, old chap, but I must send you away;
there's that model."
The girl sat waiting, her pale hair hanging down her back, a very
picture of discontent.
"Send her away."
"I asked her to come out to dinner."
"D--n her.... Well, never mind, I must spend this last evening with
you; you shall both dine with me. _Je quitte Paris demain matin,
peut-etre pour longtemps; je voudrais passer ma dernière soirèe avec mon
ami; alors si vous voulez bien me permettre, mademoiselle, je vous
invite tous les deux à diner; nous passerons la soirèe ensemble si cela
vous est agrèable_?"
"_Je veux bien, monsieur_."
Public-domain text, read in full here on John Shaqi.
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