I remember one strenuous week in particular. I had to sing _Dalila_ in
Prague on Wednesday evening. "Zauberfloete" was scheduled for Tuesday in
Darmstadt, and by taking a late train I could arrive in Prague in time
to dress for _Dalila_. I had to sing the last bit of the _Third Lady_ in
"Zauberfloete" in travelling dress with a black cloak thrown over me and
then rush straight to the train. We travelled all night, changing at
Dresden in the middle of the night, and waiting at the noisy station
for some time. Arrived at Prague I went straight to the theatre, the old
one with gas lamps for footlights. "Don Giovanni" of Mozart was given
for the first time in this very theatre they told me, and was, I
believe, directed by Mozart himself. I duly sang my _Dalila_ and sped
back to Darmstadt, where I had to sing _Frau Reich_ Thursday night; and
this tiring lady has to have a certain lightness of touch no matter how
much train smoke you have swallowed. My troubles were not over yet as I
had to take the train that night for Edinboro, Scotland, where I was to
appear with the orchestra, and on the following night in Glasgow. The
journey was long and tedious, and the only bright spot I can remember
was while we crossed a bit of Belgium. We had had a lunch basket handed
in with the typical bottle of _vin rouge_, and neither Marjorie nor I
wanted it. The next time our train slowed down we happened to have an
engine beside us, and I handed the wine through the window to the
driver, who received it with true Belgian imperturbability.
Public-domain text, read in full here on John Shaqi.
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