We played continuously nine months from September to June, and then
scattered for the holidays. I often went to Munich for the Wagnerian
_Festspiel_. We have many German relatives (though not a drop of German
blood), as three of my grandfather's sisters married German officers.
Through remote ancestors we also have dozens of cousins in the north of
Germany. The Munich relations I dearly loved. The son of the famous
court architect, von Klenze, who built nearly all the noble buildings in
Munich for the old King Ludwig of Bavaria, who abdicated his
throne--married my mother's aunt, and their descendants were always very
charming to me. The northern cousins who lived in East and North Prussia
we always heard were quite different, cold, critical, and not warm, and
artistic, and friendly, as I found our southern relations. In Darmstadt
they seem between the two peoples in character, and of course in the
theatre one meets all sorts.
Our _Souffleuse_, "Bobberle," was from Schwabia, and her sister was a
character. She proved her elegance by wearing the most brilliant colours
on her fat little body, and plastering the family jewelry all over
herself. She screamed remarks about the members of the company to her
friends between the acts, and the remarks were not as undiscerning as
you might think.
The top box on the right side of the house, was reserved for the humble
hangers-on of the _Personal_. My sister used often to sit up there as
she could just walk in without my having to ask for a seat, while my
mother sat in state in a specially reserved seat in the orchestra, for
which I had to ask each time. The oldest mothers and the _Souffleuse's_
sister used to be an unending joy to my sister, in their comments. The
order of their seats was theirs by divine right, they thought, and woe
betide some comparatively new-comer who would venture to take one-eyed
Frau S----'s or fat Frau W----'s chair. It was called the _Raben's
Nest_ (the raven's nest), and we felt its influence hanging over us on
the stage. I was quite familiar with the remarks that were made nightly:
"_Ach! unsere Kaethe spielt ja Heute!_" ("Oh! our little Katy plays
tonight"), the mother of Katy would announce rapturously, and settle
down with her chin on the rail, and her back bent like a jack-knife,
for three hours of proud but critical joy. She had probably toiled most
of the night with her little seamstress to turn out the marvels Kaethe
wore.
Public-domain text, read in full here on John Shaqi.
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