Confessions Of Con Cregan, the Irish Gil BlasLever, Charles
General
Confessions Of Con Cregan, the Irish Gil Blas
Lever, Charles
Ireland -- Fiction
I shrewdly suspect this luxury of tempting peril distinguishes man from
the whole of the other animal creation; and if we were to examine it
a little, we should see that it opens the way to many of his highest
aspirings and most noble enterprises. Now, let not the gentle reader
ask, "Does Mr. Cregan include horse-stealing in the list of these
heroic darings?" Believe me, he does not; he rather regarded the act of
appropriation in the present case in the light some noble lords did when
voting away church property,--"a hard necessity, but preferable to being
mulct oneself!" With many a thought like this, I rode out into the now
silent town, and took my way towards Austin.
It is a strange thing to find oneself in a foreign land, thousands of
miles from home, alone, and at night; the sense of isolation is almost
overwhelming. So long as daylight lasts, the stir of the busy world and
the business of life ward off these thoughts,--the novelty of the scene
even combats them; but when night has closed in, and we see above us
the stars that we have known in other lands, the self-same moon by whose
light we wandered years ago, and then look around and mark the features
of a new world, with objects which tell of another hemisphere; and then
think that we are there alone, without tie or link to all around us, the
sensation is thrilling in its intensity.
Every one of us--the least imaginative, even--will associate the
strangeness of a foreign scene with something of that adventure of which
he has read in his childhood; and we people vacancy, as we go, with
images to suit the spot in our own country. The little pathway along
the river side suggests the lovers' walk at sunset as surely as the dark
grove speaks of a woodman's hut or a gypsy camp. But abroad, the scene
evokes different dwellers: the Sierra suggests the brigand; the thick
jungle, the jaguar or the rattlesnake; the heavy plash in the muddy
river is the sound of the cayman; and the dull roar, like wind within a
cavern, is the cry of the hungry lion. The presence around us of objects
of which we have read long ago, but never expected to see, is highly
exciting; it is like taking our place among the characters of a story,
and investing us with an interest to ourselves, as the hero of some
unwrought history.
This is the most fascinating of all castle-building, since we have a
spot for an edifice,--a territory actually given to us.
Public-domain text, read in full here on John Shaqi.
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