Confessions Of Con Cregan, the Irish Gil BlasLever, Charles
General
Confessions Of Con Cregan, the Irish Gil Blas
Lever, Charles
Ireland -- Fiction
The scene I now beheld was sufficiently striking for a picture. About
fifty feet beneath where I stood, and on the bank of a boiling, foaming
torrent, was a wagon, drawn by two large horses; a covering of canvas
formed an awning overhead, and curtains of the same material closed the
sides. A large, powerful-looking Mexican stood beating the stream with a
great pole, while the Friar, with his robes tucked up so as to display
a pair of enormous naked legs, assisted in this singular act of
flagellation, from time to time addressing a hasty prayer to a small
image which I perceived he had hung up against the canvas covering.
The noise of the rushing water and the crashing sound of the sticks
prevented my hearing the voices, which were most volubly exerted all the
while, and which, by accustoming myself to the din, I at last perceived
were used in exhorting the horses to courage. The animals, however, gave
no token of returning confidence, nor showed the slightest inclination
to advance. On the contrary, whenever led forward a pace or two, they
invariably sprang back with a bound that threatened to smash their
tackle or upset the wagon; nor was it without much caressing and
encouragement that they would stand quiet again. Meanwhile, the Friar's
exertions were redoubled at every moment, and both his prayers and his
thrashings became more animated. Indeed, it was curious to watch with
what agility his bulky figure alternated from the work of beating the
water to gesticulating before "the Virgin." Now, as I looked, a small
corner of the canvas curtain was moved aside, and a hand appeared,
which, even without the large straw fan it carried, might have been
pronounced a female one. This, however, was speedily withdrawn on
some observation from the Friar, and the curtain was closed rigidly as
before.
All my conjectures as to this singular proceeding being in vain, I
resolved to join the party, towards whom I perceived the road led by a
slightly circuitous descent.
Cautiously wending my way down this slope, which grew steeper as I
advanced, I had scarcely reached the river side when I was perceived by
the party. Both the Friar and his follower ceased their performance on
the instant, and cast their eyes upwards to the road with a glance that
showed they were on "the look-out" for others. They even changed their
position, to have a better view of the path, and seemed as if unable
to persuade themselves that I could be alone. To my salutation, which
I made by courteously removing my hat and bowing low, they offered
no return, and looked--as I really believe they were--far too much
surprised at my sudden appearance to afford me any signs of welcome. As
I came nearer, I could see that the Friar made the circuit of the wagon,
and, as if casually, examined the curtains; and then, satisfied "that
all was right," took his station by the head of his beasts, and waited
for my approach.
Public-domain text, read in full here on John Shaqi.
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