Nothing could present a greater contrast than the respective interiors of Coningsby and Beaumanoir. That air of habitual habitation, which so pleasingly distinguished the Duke’s family seat, was entirely wanting at Coningsby. Everything, indeed, was vast and splendid; but it seemed rather a gala-house than a dwelling; as if the grand furniture and the grand servants had all come down express from town with the grand company, and were to disappear and to be dispersed at the same time. And truly there were manifold traces of hasty and temporary arrangement; new carpets and old hangings; old paint, new gilding; battalions of odd French chairs, squadrons of queer English tables; and large tasteless lamps and tawdry chandeliers, evidently true cockneys, and only taking the air by way of change. There was, too, throughout the drawing-rooms an absence of all those minor articles of ornamental furniture that are the offering of taste to the home we love. There were no books neither; few flowers; no pet animals; no portfolios of fine drawings by our English artists like the album of the Duchess, full of sketches by Landseer and Stanfield, and their gifted brethren; not a print even, except portfolios of H. B.’s caricatures. The modes and manners of the house were not rural; there was nothing of the sweet order of a country life. Nobody came down to breakfast; the ladies were scarcely seen until dinner-time; they rolled about in carriages together late in the afternoon as if they were in London, or led a sort of factitious boudoir life in their provincial dressing-rooms.