Conrad in Quest of His Youth: An Extravagance of TemperamentMerrick, Leonard
General
Conrad in Quest of His Youth: An Extravagance of Temperament
Merrick, Leonard
Theater -- Great Britain -- Fiction
There was a lull, and then from unseen heights a voice announced that
Bates had just "stepped outside."
Mr. Omee ramped in the pit.
The shouts for "Bates" were resumed--the rafters rang with the name of
"Bates"--and after some minutes a discomfited working man slouched onto
the stage, to be received with a volley of abuse. He was understood to
retort that he was unable to be in two places at once, and parties who
expected it might find someone else to do the work, that was the
straight tip. Those nearest to him also learnt that he had a poor
opinion of the job at its blessed best.
"Let's have that Hyde Park cloth," commanded Mr. Omee. "Come on, look
alive, man--hurry up!"
"What _I_ want to know," grunted the low comedian, "is 'ow I'm to get
that wheeze of mine into that song. That's what's bothering me."
"What song?" inquired Miss Lascelles.
"What song! Why, 'All the Winners.' I was going to say the
Blithepoint football team was 'all the winners' in the match on
Saturday, and now I'm told that Sweetbay beat 'em. My luck again!
That queers my wheeze."
"Why not say," suggested Rosalind, "that the _next time_ Sweetbay is
rash enough to play them, Blithepoint will be all the winners?"
"Wot ho!" said the low comedian, brightening. He added promptly, "Of
course that's what I was thinking of doing! But I must see if I can
get all that cackle into the tune. Where's the conductor of the
blooming band?"
Presently the cloth was displayed. It was no faithful representation
of Hyde Park Corner, but it was still less like a mosque, and the
players stood about, and sneered, and muttered contemptuous criticisms.
Miss Jinman said that in all her experience she had never known such
disgraceful mismanagement before. She was to figure in her Turkish
trousers in this scene, and she pointed morosely to the omnibuses
painted outside the hospital.
"Clear the stage, please!" cried Mr. Quisby. "We'll just run through
Miss Vavasour's scenes. Come on, Miss Vavasour--we don't want to be
here all day!" He told her this indignantly, as if the delay in
lowering the cloth were directly attributable to her. She was the girl
who had been suddenly promoted to the leading part.
The manager of the theatre lounged from the pit into the stalls, where
Rosalind sat now too. He chewed his cigar, and there was gloom on his
face. This should have been a week of large receipts, but the outlook
was unpromising.
Miss Vavasour was rendered additionally nervous by the fact that she
had not had time to learn the lines. She advanced constrainedly, and
said in a timid voice--
"'We are alone at last! Oh rapture!'"
"Speak up, my dear!" said Mr. Quisby. "Say it as if you meant it.
'Rapture!' Do a bit of a caper there, be _fetching_!"
"'We are alone at last!'" repeated Miss Vavasour, with a mechanical
jump. "'Oh rapture!'"
"Oh rats!" said the manager of the theatre. He turned to
Rosalind--"Can she sing?" he asked.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account