And besides, they did not please Saniel; they were too simple. He liked
lace, beads, flowers, something shining and glittering, such as he saw
other women wear.
How could she please him with the small resources at her disposal? In
her household expenses she was as economical as possible; Joseph was
dismissed, and replaced by a maid who did all the work; the table was
extremely simple. But these little economies, saved on one side, were
quickly spent on the other in toilets and carriages.
When she expressed a wish to work, to paint menus, he would not consent,
and when she insisted he became angry.
He only permitted her to paint pictures. As she had formerly painted for
amusement in her father’s studio, she might do so now. If trade were a
disgrace, art might be honorable. If she had talent he would be glad of
it; and if she should sell her pictures it would be original enough to
cause her to be talked about.
The salon was partly transformed into a studio, and Phillis painted
several little pictures, which, without having any pretensions to great
art, were pleasing and painted with a certain dash. Glorient admired
them, and made a picture-dealer buy two of them and order others, at a
small price it is true, but it was much more than she expected.
With the courage and constancy that women put into work that pleases
them, she would willingly have painted from morning till night; but the
connections that Saniel had made did not leave her this liberty. Through
Claudet they made many acquaintances and accepted invitations that
placed her under social obligations, so that almost every day she had a
visit to pay, a funeral or a marriage to attend, besides an occasional
charity fair, and her own day at home, when she listened for three hours
to feminine gossip of no interest to her.
As for him, what pleasure could he take in dressing after a hard day’s
work to go to a reception? He, son of a peasant, and a peasant himself
in so many ways, who formerly understood nothing of fashionable life and
felt only contempt for it, finding it as dull as it was ridiculous.
She tried to find a cause for this change, and when lightly, in a
roundabout way, she brought him to explain himself, she could only draw
one answer from him, which was no answer to her:
“We must be of the world.”
Why did he care so much about society? Was it because she was the sister
of a criminal that he wished to take her everywhere and make people
receive her? She understood this up to a certain point, although the
part he made her play was the most cruel that he could give her, and
entirely contrary to what she would have chosen if she had been free.
Public-domain text, read in full here on John Shaqi.
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