Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The present area is an irregular quadrangle, about 260 yards long,
and 150 wide. It is bounded on one side by the mosque of Sultan
Achmet, from which it is separated only by an open screen, and from
it this beautiful edifice, with its six elegant minarets, appears to
the greatest advantage. On the others, by large but mean edifices,
one of which is the menagerie of the Turkish empire. Among the gifts
expected from the pasha of a distant province, are specimens of its
wild animals; and lions, tigers, and other beasts are here enclosed
and exhibited, as formerly in the tower of London. Among the animals
here in the time of Busbequius, was an extraordinary elephant, which,
he affirmed, “could dance and play ball.” They are not confined to
cages, but allowed to walk about in large caverns, where the solitary
magnificence of the animal would be strikingly exhibited, were it not
that the foul odour exhaled from putrid offals, on which they feed,
repels a stranger with insuperable disgust.
Down the centre are seen the splendid remains of the Greek empire.
The first is the granite obelisk, still in high preservation, brought
from the Thebaïd to Rome, and from thence to ornament the new city
of Constantine. It is supported on brazen globes, resting on a
sculptured pedestal bearing an inscription implying that it was erected
by Theodosius. On one face is sculptured the machines by which the
obelisk was raised to its present site, and is a curious display of the
mechanical powers at that time in use. A singular circumstance occurred
at its erection, which has since that time furnished an extraordinary
auxiliary to mechanical powers. When the ponderous block was raised
as high as the combination of cords and pulleys could draw it, it was
found to want one inch of elevation to place it on the pedestal. The
emperor and all the spectators supposed the labour and expense lost,
and the case hopeless; when the ingenious artist who had undertaken to
raise it, caused water to be thrown upon the cords by which the obelisk
was suspended: an immediate contraction of the fibres took place, the
cords shortened, and the immense weight was quietly raised to its place
without any other mechanical Contrivance. Another is that called the
Colossus: it was once covered with dense brass plates; and a Greek
couplet on the pedestal, described what it formerly was, and the reason
of its name−-
“A brazen wonder of colossal size,
Which Rhodes could boast−-lo! here is seen to rise.”
Public-domain text, read in full here on John Shaqi.
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