Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
When the Turks entered the city, they rushed to this building, to
massacre or make slaves of all who took refuge there; they then
proceeded to demolish it, as the most eminent place of infidel
worship. In this critical moment, the sultan entered, and arrested the
destruction just as it had commenced. He announced, that he gave to his
soldiers the plunder of spoil and captives, but the public edifices
he reserved to himself. He at once conceived the idea of converting
this magnificent Christian church into a Mohammedan mosque; and as he
had transferred the government of the Osmanli to the most splendid
capital, so the worship of Islam should be celebrated in the most
splendid edifice in the world. In order to accommodate the interior to
the new rites, the effigies and pictures which covered the walls were
erased, and all trace of such representations was effaced by a simple
and uniform colouring: the arms of the cross were, with little violence
of alteration, bent up into the form of a crescent; and, to silence
the sound of a bell, so revolting to the followers of the Prophet, he
caused a minaret to be erected at an angle, to invite the faithful to
prayer by the sound of the human voice; and having thus purified it
from what he supposed to be superstitious and idolatrous emblems, he
sat down cross-legged in the sanctuary, and caused himself to be shaved
there. He then ordered the Koran to be read in place of the Bible,
offered up his prayers, and finally suspended the curtain that had once
closed the door of the temple at Mecca. He made no further alteration
in the Christian church, and it remains as it was left by Justinian,
unchanged for 1300 years, the most perfect and splendid monument of the
arts of the Lower Empire.
Public-domain text, read in full here on John Shaqi.
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