Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
These people were once the most fierce and untractable savages, and
the scourge of the Greek empire. They were, and are still called
Bulgarians, or Volgarians, from the river Volga, from whose shores they
originally migrated to this place; and for centuries they threatened
the very existence of the enfeebled state. In the reign of Justinian,
they approached the city of Constantinople with fire and sword, but
were repulsed by the great Belisarius. After various defeats, they
were converted to Christianity, and their subdued and broken spirits,
aided by the mild influence of the new religion, produced such an
effect, that, instead of the once rude and ferocious mountaineers
reported by historians, they are now, though the same race and in the
same locality, distinguished for industry, for mildness of disposition
among themselves, and kindness and hospitality to strangers. They
have extended their population to the plains below, on each side: on
the north to the Danube, and on the south nearly to the Propontis;
and their manners form a strong contrast to those of the rude and
inhospitable Turks, with whom they here mingle.
When a traveller enters a cottage, he is received with smiles and
cheerfulness, as if he were one of the family returned home after
an absence. The females treat him with that unsuspecting confidence
which they would show to a brother, and with a good-will which those
who have experienced their hospitality will never forget. The young
women are particularly distinguished by their dress. They wear in some
parts a blue, and in other a white cloth gown, wide and open at the
sleeve and bosom, displaying a snow-white chemise of cotton or linen,
tastefully embroidered. This gown is sometimes cinctured with a band
and buckle of dressed leather, or bound by a red girdle, to which the
cloth skirts are tucked up when dancing, or in other active motions.
But that which most distinguishes them is the ornament of the head:
it is fancifully dressed, and braided with a great variety of coins
of different metals, sometimes so densely strung together, that they
form a thick metallic cord of considerable weight, and presenting the
edges of the coins. These are esteemed the retecules in which a young
lady preserves her marriage portion; and when the pendent purse is
broken up, these perforated coins, first used as ornaments, are seen in
constant circulation. When a traveller enters a cottage, and demands
the rites of hospitality, it is swept and garnished for him, and the
carpets laid; and, while he reclines upon it, the belle of the village
enters with a white handkerchief in her hand, leading a train of her
companions: they form a dance of pleasing movement, and a chorus of
sweet voices expressive of welcome. When it is concluded, the fair
conductress approaches, and casts her handkerchief into his bosom; this
implies a request for a few paras, which is never denied, and “the
village train” depart with cheerfulness and modesty.
Public-domain text, read in full here on John Shaqi.
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