Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The present state of this “light of Asia,” this “emporium of the
world,” forms a sad and striking contrast to its former splendour.
The traveller lands on a dismal swamp at the mouth of a river, choked
up with sand. Beside this is an extensive jungle of low bushes, the
retreat of wolves and jackals, and all the wild animals whose solitary
and predatory habits lead them to those haunts, which had once been,
but are no longer, the habitations of men. From thence he advances
up an extensive and fertile plain, through which the Caÿster winds,
exhibiting all the capabilities of culture and abundance, but now a
rank marsh, scattered over with muddy pools, the retreat of flocks
of aquatic fowls, among which are sometimes seen flights of swans,
indicating the permanent character of nature still remaining unchanged,
though the habits of man are altered. At some miles from the sea are
marble columns, supposed to have formed part of the quay when the river
was navigable, and Ephesus the great mart of Asia. Beyond, the plain is
skirted by a rising ground, on which appears a succession of ruins for
several miles, including a stadium in a more perfect state than the
rest; but by far the most interesting are the remains of the temple and
the amphitheatre.
On the side of the hill, and partly excavated from it, is a section
of a great amphitheatre: the seats have been destroyed or removed,
but part of the marble front, many bas-reliefs, and sculptured
fragments, attest its primitive splendour. This magnificent area for
representing the spectacles of the ancients, gives a high idea of the
wealth and population of the city to which it belonged, and the number
of spectators it was necessary to accommodate. Immediately below are
the supposed ruins of the Artemision, or Temple of Diana, of which
Ctesiphon was the chief architect; it was one of the seven wonders of
the world: it measured 425 feet in length, 200 in breadth; was adorned
with 127 columns, each the gift of a king; occupied 220 years in
building; and was eight times reduced to ruins. Its foundations were
laid in a swamp, as Pliny says, to guard against the effects of an
earthquake. To absorb the damp, wool and charcoal were interspersed,
and the arches form a subterranean labyrinth, in which the waters now
stagnate. The walls are formed of immense blocks of marble, the faces
of which are perforated with cavities; into these were sunk the shanks
of the brass and silver plates with which the temple was faced, but
they have been long since abstracted. In front are the remains of vast
porphyry pillars, which probably formed the portico of the temple. When
Constantine the Great issued his decree against heathen worship, this
the principal of its temples was finally destroyed, and some of its
pillars removed to Constantinople, to adorn the Christian church of the
“holy and eternal freedom of God.”--So celebrated was this magnificent
pile, that Herostratus, a philosopher, conceived the extraordinary idea
Public-domain text, read in full here on John Shaqi.
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