Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
Immediately below the palace is one of the rapids called by the Greeks
_Megalé roë_, and by the Turks, _Buyuk akindisi_, over which the stream
tumbles sometimes with the velocity and turbulence of a cataract, and
is supposed to be one of the evidences of that awful convulsion which
tore open the strait, and sent the waters of the upper ocean down to
the lower regions in an eternal current. As no vessel can ascend here
by force of oars, it is necessary to tow them. The shore is seen lined
with men holding coils of cord: when a vessel arrives, the efforts of
the crew are suspended; the coil is cast to the ship, and fastened to
the prow; it is then passed over the shoulders of a long line of men,
and by main force, and most laborious exertions, the largest and most
ponderous ships of the Black sea are thus dragged up the descent, with
a bodily strength and perseverance which a Turkish hammal alone can
exert. When the lighter caïque arrives, it ascends with little labour.
The passenger then wraps a few paras in a morsel of paper, throws them
ashore to the robust assistants, the tow is thrown off, and the light
caïque, now arrived at the summit, shoots on its way. The introduction
of steam-boats was opposed, as depriving so many persons of a means of
support, but they are now used for larger vessels, and partly abridge
this painful toil.
[Illustration: T. Allom. E. Benjamin.
THE RUINS OF HIERAPOLIS.--NOW CALLED PAMBOUK KALESI.
ON THE WAY FROM LAODICEA.
ASIA MINOR.]
Hierapolis, or “the Sacred City,” stands on the confines of ancient
Caria and Lydia, in Asia Minor, and a few miles from Laodicea. It is
now called _Pambouk kalesi_, the first part of the name signifies
“cotton,” from a very singular phenomenon. On approaching the place,
the traveller sees before him the sloping face of a hill, of a pure
white, and apparently fleecy texture, swelling into little eminences,
and resembling a mass of wool laid upon the surface, and as if slightly
agitated by the wind. The soil abounds with hot springs, and this
singular appearance is a pure white concrete substance, generated by
the water flowing over the steep, and leaving behind a chalky deposit.
On being tested with acids, it is found to ferment; and like the
dropping-well at Knaresborough, and from the same cause, leaving behind
it an incrustated surface of carbonate of lime wherever it flows. The
abundance of this concrete deposit was so great formerly, that it
performed the function of Amphion’s lyre, and raised spontaneous walls.
The water was conducted round edifices and enclosures, and the channels
then became long fences of a single stone. When the rill first drips
over any surface, it leaves behind it a lurid appearance, resembling
wet salt, or half-dissolved snow. Several of the vineyards and gardens
are now fenced with this substance.
Public-domain text, read in full here on John Shaqi.
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