This beautiful but small imperial mosque of the reigning sultan, is situated not on a conspicuous eminence like those of his predecessors, but in the low alluvial ground on the shores of the Bosphorus, and on the water’s edge; but the beauty and finish of the edifice compensate for the defects of its site. All the skill of Oriental ornament is expended upon it. Rich lattice-work and taper spires of minarets highly gilded, glitter in the sun with a brilliancy and recency, as if they had been left just finished by the hands of the artisans; while painting and sculpture, in rich arabesque, give a peculiar elegance to the edifice. It is entered by a lofty approach of marble steps, and it is distinguished by a separate and detached spire, not a minaret, but intended for a use which modern improvement and approximation to European arts have lately introduced. The Turks abhorred the sound of a bell in any form, and inhibit its use even to the Franks in assembling their congregations for divine service. They could not be induced to erect a public clock in the capital,[12] and it was supposed, some years ago, that there were but two in the Turkish empire of Europe−-one in the town of Shumla, erected by a minister who brought it from Russia, where he had been on a mission, had learned its use, and conferred it as a benefit on his native town; the other was bestowed on Athens, while under the dominion of the Turks, by Lord Elgin, as a compensation for his abduction of the marbles of the Parthenon. The present sultan, however, among his improvements, has erected a steeple in his temple for a clock, that the muezzim may be directed with more certainty in calling the faithful to prayer; and it is probable that, in a few years, the more effectual sound of the prohibited bell will be substituted for the human voice. [Illustration: T. Allom. G. Presbury. CARAVANSARY AT GUZEL-HISSAR, ON THE MEANDER. ASIA MINOR.]