Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
When Richard Cœur de Lion laid siege to Acre, the saint appeared to
him in a vision, and the Crusaders attributed their victories to his
interference and aid. The great national council, held at Oxford
in 1222, recognized him, and commanded his feast to be kept as a
holiday; and in 1330, Edward III. instituted an order of knighthood
to his name in England, one of the oldest in Europe, and so he has
become the patron-saint of England. His festival is celebrated on
the 23d of April, in the Greek church; and the English ambassador at
Constantinople, as if to identify our patron-saint with that of the
Greeks, gives a splendid entertainment on the same day at the British
palace, where St. George is held “as the patron of arms, chivalry, and
the garter.”
But our saint has immunities and privileges which do not appear to be
allowed to any other in the Greek calendar. At the early period of the
reformation in the Oriental church, statues were everywhere torn down
by the Iconoclasts, and excluded from their worship as idolatrous,
though pictures were allowed to remain; adhering literally to the
Commandment of making “no graven images,” but, by a singular anomaly
of Greek refinement, venting their religious horror on wood and stone,
and bowing down without scruple to paint and canvass. This distinction
continues in all its strictness to the present day: the churches are
profusely daubed with gaudy pictures of saints, to which profound
adoration is paid, and the most extraordinary miracles are attributed;
while no statue, or sculptured or graven representation, of the same
persons, are tolerated: but to our saint alone an indulgence is
extended. His image in some churches is formed on graven silver plates
attached to a wooden block, which they affirm had miraculously escaped
from the destruction of the Iconoclasts, and has peculiar faculties
conferred upon it, corresponding with the pugnacious propensities of
the character whose person it represents; and to its wonder-working
powers many miracles are attributed.
Public-domain text, read in full here on John Shaqi.
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