Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
In the delightful region of Eyoub, not far from the tomb of the Ansar,
and close upon the waters of the Golden Horn, is an imperial residence
recalling the memory of the unfortunate Selim, who selected this quiet
and delicious retreat for his sister, to which he might occasionally
retire in pursuit of that tranquillity his gentle spirit was not doomed
to enjoy, among the perils and tumults that disturbed his reign. It
bears the impress of his hand. Though inclining to and beginning
to adopt European usages, his taste was still Oriental. Unlike the
bold and uncompromising character of Mahmoud, he halted between two
opinions; and, while the new palace of the one exhibits on the shores
of the Bosphorus a noble specimen of European architecture, the new
palace of the other is no improvement on Eastern barbarism; the palace
is perfectly Turkish.
On passing along the arabesque front, the gaudy glare of the gilded
apartments within are reflected through any open casement with an
almost painful and dazzling lustre, particularly if the sun shines,
so as to repel the gazer. The reception-room, or salaamlik, the
only part given in our illustration, is remote from the harem, from
whose mysterious recesses all strangers are utterly excluded: it
is entered by a close curtain or screen drawn across the door, and
immediately falling behind the person who passes, and gives a kind of
mysterious and jealous precaution even to this permitted room. Here
a balustrade of pillars runs across, leaving a passage in the centre
which is ascended by steps, so that the upper end is raised like the
dais of our Gothic halls. This portion of the apartment is covered
over with gilding; the walls are pierced with various niches and
circular recesses, ornamented with pendent members like icicles, and
recall the mind to the cloistered sculpture of our old churches, and,
notwithstanding the bright glare, convey the impression of gilding on
a coffin. The panels are decorated with embossed festoons, glittering
with burnished gold on a frosted surface. The ceiling, which in a
Turkish apartment is always highly ornamented, is enclosed in an
octagonal moulding with a central embossment, from which issue to the
circumference radiating decorations; the ground is azure blue studded
with gilded stars.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account