Though the bird is seen in great numbers in all Oriental towns, Pergamus seems its favourite haunt; the inhabitants feel for it a fraternal regard, call it by endearing names, and affirm their attachment is so mutual, that it follows the Moslem people into whatever part of the globe they emigrate. They erect on their houses frame-work of wood, to induce the stork to build there; the public edifices are covered with them; the mosques and their minarets are full of their nests, and on every “jutting pier, buttress, and coign of “vantage” is seen their “procreant cradle.” Below, they strut about the town with perfect familiarity, and are never disturbed by those they meet; and their tall, slender heads are seen rising among the turbans and calpacs of a crowded street. So jealous are the Turks of the friendship of this bird, that they affirm it never builds on an edifice inhabited by any but a Mussulman. It is certain they are seldom seen in the Greek and Armenian quarters; it is probable the timid Christians, from the apprehension of exciting the envy of their masters, discourage or repel the stork whenever it approaches their habitations. [Illustration: Drawn by Leitch. Sketched by T. Allom. Engraved by J. Sands. MOSQUE OF SANTA SOPHIA, AND FOUNTAIN OF THE SERAGLIO. CONSTANTINOPLE.] This is another view of the same objects as were given in a former illustration; but their are presented under a different aspect. In the centre of the front is the Fountain built by Achmet, with its rich display of gilded arabesque, on a bright blue and red ground; on the left are the various edifices connected with Santa Sophia, the vast aërial dome swelling above them, and intended to represent a section of the concave firmament; and on the right is the Babu Hummayoun, or, “Sublime Porte,” already described. From this gate is seen, in perspective, descending the hill, the turreted and battlemented walls of the Seraglio gardens, running down to the harbour, and supposed to be the remains of that very ancient fortification which marked the city of Byzantium, and cut off the apex of the triangle which it occupied. The street below it is the great avenue leading from the lower parts of the city to the Seraglio, and many characteristic displays of Turkish manners are exhibited in it.