Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
Along the wall near the great gate was the favourite spot selected for
the suspension of those trophies which marked the triumph of Islamism
over Christianity. On every victory obtained during their European
wars, the standards taken from Germans, Russians, Hungarians, and other
powers, were displayed here; and more recently the captive flags of
the Greeks were constantly seen fluttering, in an inverted position,
over heaps of ears and noses which were piled below. Among them were
several on which was depicted the cross, and various representations
of Christian events, but particularly the resurrection which was
labelled “Anastasis,” intended to be emblematic of their political
resurrection. But of all the standards, that of Ipsera was the most
interesting. After a gallant and almost incredible defence of this
little island against the Turkish fleet, which surrounded it on all
sides, and poured in numerous troops at every point, these few
brave defenders were compelled to take refuge in their last fortress.
Here they displayed their flag inscribed with their determination to
die, and their actions coincided with the inscription. The Turks were
permitted without much opposition to enter the fortress, and, when it
was filled with the crowd, the whole was blown into the air. The last
remnant of the Ipsariots, with an equal number of Turks, perished in
one indiscriminate carnage. The broad flag which had floated over the
self-devoted fortress, was brought in triumph, and suspended on this
wall. It was of large size, and inscribed ΗΛΑΗΘΤ, the Greek anagram
of “Death or Freedom;” and while the passenger “contemplated its
scorched and torn remnants hanging over the mutilated remains of the
brave spirits who unfurled it, it forcibly recalled to his mind that
desperate devotion which in all ages distinguished the Greeks.”
[Illustration: Drawn fom Nature by F. Hervé. E. Benjamin.
PASS AND WATERFALL IN THE BALKAN MOUNTAINS.]
This celebrated chain presents continually to the traveller a
succession of objects sometimes minute and picturesque, sometimes vast
and sublime. In the recesses between the high ridges, the scenery is
rural and pastoral, equalling that of Arcadia; on the summits of the
mountains, all seems thunder-splintered rocks and riven precipices,
where the ear is stunned with the roar of cataracts, as the eye is
astonished and the senses are appalled by the vast chasms through which
they rush. The Balkans are seldom seen covered with snows, and the
waters are rarely arrested by ice. At no season is observed, as in the
Alps, frost-suspended waterfalls,
“Whose idle torrents only seem to roar;”
but the sound of the bursting cataract never ceases, and the
mountain-streams, fed by continued showers, do not depend on the
solution of snows, but are always tumbling down the steeps and rushing
through the ravines.
Public-domain text, read in full here on John Shaqi.
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