Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The body of the person permitted to be here interred, is simply buried
in a grave dug for the purpose, and covered with earth in the usual
manner of Turkish sepulture. This grave, generally surrounded with
masonry, is the sarcophagus where the body is left to decay. It is
approached by a passage protected by an iron grating; through which, on
occasions of more than usual importance, the body may be approached,
and its state examined; but no human being save the existing Sultan is
allowed to enter, and profane by a glance of his eye the mouldering
remains of one who had sat on the throne of the Osmanli. Over the grave
thus formed is raised a Catafalque of wood, called a Sanndoucha. This
is covered with plain stuffs and shawls, of different qualities and
manufacture. Through this is embroidered in gold, various passages
of the Koran. Frequently a deputation is sent to Mecca for a strip
of the veil of the Keabé, or to Medina for a portion of that which
covers the tomb of the Prophet. This forms a decoration to that part
of the covering which is over the head of the deceased. There is also
laid beside the head of a Sultan, or prince of the blood, a turban of
muslin, to distinguish them from others. At each end of the Sanndoucha
are enormous wax tapers, and suspended from the roof are circular
lamps. The first are seldom used, but the last are kept constantly
burning. The apartment is lighted from without by casements of gilded
lattice-work, through which even a Giaour is allowed to view the
interior.
The greatest simplicity is observed in the interior of these Turbés.
There are no gilded ornaments, no display of pomp or splendour which
distinguished the tenant of the tomb while alive. The walls within are
generally covered with square slabs of porcelain marked with poetical
inscriptions. These are said to be the composition of a blind Arabian
poet, named Boordé, who, like Homer, wandered about reciting his
rhapsodies, and who has obtained as much celebrity in the East, as his
Greek predecessor in the West. The Achilles of his poem is Mahomet.
Public-domain text, read in full here on John Shaqi.
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