Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
giants, who blow them forth over the unfortunate traveller, as the
breath of their nostril.
Sometimes the traveller is surprised by sudden light gleaming from
the rocks around him, and the roar of fires bursting from caverns.
These, however, arise from a more explicable cause. The iron-ore with
which the interior of the mountains abounds, is generally smelted on
the spot. The red flame is then seen issuing from the riven rock, the
blows of sledges echo through the caverns, and the dark and grim visage
of the workmen are visibly illumined by the blaze. These appearances
at night, in the deep solitude of the mountains, are very striking,
and strongly remind the traveller of Vulcan’s forge in Etna, and his
Cyclops fashioning thunderbolts. When a commotion of the elements
supervenes, as frequently happens in these elevated regions, when the
air is rent and the rocks around are shattered by the electric fluid,
it requires no great stretch of the imagination to fancy it is the
fabricated bolts of these grim artisans, that have now, as in the days
of the poets, caused the destruction.
Our illustration presents one of those rugged ascents, suspended
as it were over the perpendicular flank of a mountain-wall, on one
side bounded by a deep chasm, and on the other overhung by a lofty
precipice. This path is sometimes not more than a yard in breadth,
and does not allow loaded horses space to pass each other. When this
occurs, there is a mortal contest for the inside, and one pushes the
other into the gulf below. Sometimes the path turns round a short
angle, and when the traveller has accomplished the passage of the
perilous point, he sees just before him a dark and dismal chasm, over
which his horse’s neck projects, and his next step would precipitate
him. His feeling of insecurity is increased by the state of the
animal he rides. Instead of being shod with rough and pointed irons,
which would give a firmer footing in ascending and descending such
declivities, the shoe is a flat circular piece of smooth metal,
perforated by a single opening in the centre, and affording not the
slightest hold on what it presses. Hence, in going down, the motion of
the animal is sliding, and the rider with horror sees the beast, to
which he trusts his life, every moment ready to shoot over the edge
of the narrow road, without a possibility of stopping or restraining
itself. Yet such is the sure-footed sagacity of these mountain-steeds,
that accidents rarely occur, and they glide down for several hundred
yards, through a steep and tortuous descent, dexterously turning round
every projecting rock before them, which seems to stand in the way for
the express purpose of pushing him over the edge.
[Illustration: T. Allom. H. Mote.
CIRCASSIAN SLAVES IN THE INTERIOR OF A HAREM.
CONSTANTINOPLE.]
Public-domain text, read in full here on John Shaqi.
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