Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
All these are perhaps the best mountain-horsemen in the world,
though nothing can be more unfavourable to their firm seat and rapid
evolutions than their whole equipment. Their saddles are heavy masses
of wood, like pack-saddles, peaked before and behind, and seem to be
the most awkward and uneasy in the way they use them. Their stirrups
are very short, and their stirrup-irons very cumbrous, resembling
the blades of fire-shovels, the angles of which they use to goad on
the horse, as they have no spurs. This heavy and awkward apparatus
is not secured on the horse by regular girths, but tied with thongs
of leather, which are continually breaking and out of order. On this
insecure seat the rider sits tottering, with his knees approaching to
his chin; yet there never were more bold and dexterous horsemen, in the
most difficult and dangerous places. When trooped together they observe
little order, yet they act in concert with surprising regularity and
effect, particularly on broken ground and mountain-passes, seemingly
impracticable to European cavalry. They drive at full speed through
beds of torrents, and up and down steep acclivities, and suddenly
appear on the flanks or rear of their enemies, after passing rapidly
through places where it was supposed impossible for a horseman to move.
Such had been the general character of Turkish cavalry, but the Sultan,
in his military reforms, obliterated the characteristic distinction
of each corps, and amalgamated them all to an uniformity of European
discipline. He one day saw a restive horse baffle all the attempts of
his rider to reduce him to obedience, and finally throw him to the
ground. There happened to be standing near, an Italian adventurer,
named Calosso, who had come to Constantinople in search of fortune,
with many of his countrymen. He seized the unruly animal by the
bridle, disencumbered him of his awkward ponderous saddle, mounted
him bare-backed, and presently reclaimed him to a state of perfect
discipline. His dexterity attracted the notice of the sovereign, who
at once availed himself of his abilities. He first put himself under
his care, and learned the art of European manège, at considerable
personal risk. He cast away the wooden pack-saddle, and set his cavalry
an example by mounting himself on a bare-backed horse. The sudden
transition from a lofty seat, where the limbs were confined and fixed
to the horse by a wooden frame, and the legs supported by firm pressure
on a broad stirrup, to the sharp spine of a beast without either
saddle or stirrup, was scarcely tolerable; and the imperial recruit
would have been often precipitated to the ground, but for the aid of
his Italian instructor, who was always at hand to support him. Yet
he persevered with his usual determination, and he became in a short
time an accomplished European horseman, and induced his subjects to
follow his example. There was no European usage which a Turk found it
more difficult to adopt than this.
Public-domain text, read in full here on John Shaqi.
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